Hamlet'The Mona Lisa of literature' T. S. Eliot |
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... behaviour is indeed somewhat eccentric. He moons around in black talking to himself, rails at Ophelia, whom previously he has courted, and contrives a play which criticizes the marriage of the King and Queen. He responds to questions ...
... behaviour is indeed somewhat eccentric. He moons around in black talking to himself, rails at Ophelia, whom previously he has courted, and contrives a play which criticizes the marriage of the King and Queen. He responds to questions ...
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... behaviour we disguise devilish practices. The King picks this up in an aside: How smart a lash that speech doth give my conscience! The harlot's cheek, beautied with plastering art, Is not more ugly to the thing that helps it Than is my ...
... behaviour we disguise devilish practices. The King picks this up in an aside: How smart a lash that speech doth give my conscience! The harlot's cheek, beautied with plastering art, Is not more ugly to the thing that helps it Than is my ...
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... behaviour, but is all his madness contrived? The vigorous abuse of Ophelia and Gertrude, for instance? After all, the melancholy and misogyny precede the Ghost's revelation. The case is not conclusive either way. Leaping into Ophelia's ...
... behaviour, but is all his madness contrived? The vigorous abuse of Ophelia and Gertrude, for instance? After all, the melancholy and misogyny precede the Ghost's revelation. The case is not conclusive either way. Leaping into Ophelia's ...
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... behaviour by attributing to him 'wanton, wild, and usual slips' (II.1.22). Reynaldo is anxious about bringing Laertes into disrepute, but Polonius is happy to countenance drinking, fighting, swearing, quarrelling and consorting with ...
... behaviour by attributing to him 'wanton, wild, and usual slips' (II.1.22). Reynaldo is anxious about bringing Laertes into disrepute, but Polonius is happy to countenance drinking, fighting, swearing, quarrelling and consorting with ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word