Hamlet'The Mona Lisa of literature' T. S. Eliot |
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... Richard II and Richard III culminate in the tragic deaths of their protagonists. Although in performance Shakespeare's characters can give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays ...
... Richard II and Richard III culminate in the tragic deaths of their protagonists. Although in performance Shakespeare's characters can give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays ...
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... Richard II 1595 Romeo and Juliet 1595 A Midsummer Night's Dream 1595 King John 1596 The Merchant of Venice 1596–7 Henry IV, Part I 1596–7 The Merry Wives of Windsor 1597–8 Henry IV, Part II 1597–8 Much Ado About Nothing 1598 Henry V ...
... Richard II 1595 Romeo and Juliet 1595 A Midsummer Night's Dream 1595 King John 1596 The Merchant of Venice 1596–7 Henry IV, Part I 1596–7 The Merry Wives of Windsor 1597–8 Henry IV, Part II 1597–8 Much Ado About Nothing 1598 Henry V ...
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... is the quarrel; for God's substitute, His deputy anointed in His sight, Hath caused his death; the which if wrongfully, Let heaven revenge, for I may never lift An angry arm against His minister. (I.2.37–41) In Richard II.
... is the quarrel; for God's substitute, His deputy anointed in His sight, Hath caused his death; the which if wrongfully, Let heaven revenge, for I may never lift An angry arm against His minister. (I.2.37–41) In Richard II.
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... Richard II these issues of principle are overtaken by the course of events. But in Hamlet it is only as the catalogue of King Claudius's crimes accumulates that Hamlet claims that it would be right to kill him – and even then he puts it ...
... Richard II these issues of principle are overtaken by the course of events. But in Hamlet it is only as the catalogue of King Claudius's crimes accumulates that Hamlet claims that it would be right to kill him – and even then he puts it ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word