Hamlet'The Mona Lisa of literature' T. S. Eliot |
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... Marcellus and Horatio, and he visits Hamlet to confirm the story of the Ghost. It seems that he will be with the others when they watch again for the Ghost (I.4), but he disappears. To be sure, this may be good dramatic economy, but it ...
... Marcellus and Horatio, and he visits Hamlet to confirm the story of the Ghost. It seems that he will be with the others when they watch again for the Ghost (I.4), but he disappears. To be sure, this may be good dramatic economy, but it ...
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... Marcellus that he may 'put an antic disposition on' (I.5.172). This would account for his erratic behaviour, but is all his madness contrived? The vigorous abuse of Ophelia and Gertrude, for instance? After all, the melancholy and ...
... Marcellus that he may 'put an antic disposition on' (I.5.172). This would account for his erratic behaviour, but is all his madness contrived? The vigorous abuse of Ophelia and Gertrude, for instance? After all, the melancholy and ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word