The Cambridge History of English Literature: The drama to 1642Sir Adolphus William Ward, Alfred Rayney Waller |
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Page viii
... ELIZABETHAN THEATRE By HAROLD CHILD , sometime Scholar of Brasenose College , Oxford Early Companies of Players . Triumph of the Professional Actor and Patronised Company over the Stroller . Grounds of objection to the Drama . Royal ...
... ELIZABETHAN THEATRE By HAROLD CHILD , sometime Scholar of Brasenose College , Oxford Early Companies of Players . Triumph of the Professional Actor and Patronised Company over the Stroller . Grounds of objection to the Drama . Royal ...
Page 3
... Elizabethan drama , and furnishes an announcement of Jonson's programme for the rest of his dramatic career . In the half - dozen years , however , which immediately followed its production , Jonson failed to write any comedy of ...
... Elizabethan drama , and furnishes an announcement of Jonson's programme for the rest of his dramatic career . In the half - dozen years , however , which immediately followed its production , Jonson failed to write any comedy of ...
Page 16
... Elizabethan drama . Whenever he appears , there is more than mere satire or farce — an amazing and sustained vis comica that reaches its culmination in the great scene3 in which he meets with discomfiture . The play is written mainly in ...
... Elizabethan drama . Whenever he appears , there is more than mere satire or farce — an amazing and sustained vis comica that reaches its culmination in the great scene3 in which he meets with discomfiture . The play is written mainly in ...
Page 24
... Elizabethan period , our theatre has never permitted such robust fun and so unvarnished a presentation of the absurdities of human nature . The Divell is an Asse betrays a flagging invention , as was to be expected after the prodigal ...
... Elizabethan period , our theatre has never permitted such robust fun and so unvarnished a presentation of the absurdities of human nature . The Divell is an Asse betrays a flagging invention , as was to be expected after the prodigal ...
Page 27
... Elizabethans , is precisely the negative side of his most positive characteristics . He did not write of passions ... Elizabethan age and its literature , had another and a greater master ; but interest in the depiction and criticism ...
... Elizabethans , is precisely the negative side of his most positive characteristics . He did not write of passions ... Elizabethan age and its literature , had another and a greater master ; but interest in the depiction and criticism ...
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acted actors antimasque appears Beaumont and Fletcher Ben Jonson Blackfriars boys Brome Burbage Bussy D'Ambois Cambridge chap chapel Chapman character comedy comic contemporary court dance Dekker Dodsley dramatists duke Eastward Hoe edition Elizabeth Elizabethan English Drama entertainment extant Fleay Fleay's Francis Beaumont Globe Gosson hall hath Henry Henslowe Henslowe's Histriomastix honour Humour interest James James Burbage James Shirley John Fletcher John Marston Jonson king King's ladies later Latin literary London lord lyric Majesties Servants Marston masque masquers Massinger Massinger's master mayor Middleton Oxford pageant pastoral performance play players Playes playhouse plot poem poet poetry presented prince printed privy council probably prologue prose puritan queen revels Revenge Richard Burbage romantic royal Rptd satire scene seems Shakesp Shakespeare Shirley song St John's stage story style theatre Thomas Heywood tragedy tragicomedy verse Webster William Rowley writer
Popular passages
Page 118 - Fletcher's ideas moved slow ; his versification, though sweet, is tedious, it stops at every turn ; he lays line upon line, making up one after the other, adding image to image so deliberately, that we see their junctures. Shakspeare mingles every thing, runs line into line, embarrasses sentences and metaphors ; before one idea has burst its shell, another is hatched and clamorous for disclosure.
Page 368 - I sit by and sing, Or gather rushes, to make many a ring For thy long fingers; tell thee tales of love; How the pale Phoebe, hunting in a grove, First saw the boy Endymion, from whose eyes She took eternal fire that never dies ; How she...
Page 125 - A tragi-comedy is not so called in respect of mirth and killing, but in respect it wants deaths, which is enough to make it no tragedy, yet brings some near to it, which is enough to make it no comedy...
Page 47 - Selden, and others: at the midst of the feast his old Mother dranke to him, and shew him a paper which she had (if the sentence had taken execution) to have mixed in the prisson among his drinke, which was full of lustie strong poison, and that she was no churle, she told, she minded first to have drunk of it herself.
Page 24 - If there be never a servant monster in the fair, who can help it, he says, nor a nest of antiques ? he is loth to make nature afraid in his plays, like those that beget tales, tempests, and such like drolleries...
Page 313 - Why, heres our fellow Shakespeare puts them all downe, I, and Ben Jonson too. O that Ben Jonson is a pestilent fellow ! he brought up Horace giving the poets a pill, but our fellow Shakespeare hath given him a purge that made him beray his credit.—Bur.
Page 8 - Timber, or Discoveries made upon men and matter, as they have flow'd out of his daily Readings, or had their refluxe to his peculiar Notions of the Times. By Ben: Johnson. Tecum habita, ut noris quam sit tibi curia supellex. Pers. Sat. iv. London, Printed M.DC.XLI.
Page 34 - I found I had been cozened with a jelly ; nothing but a cold, dull mass, which glittered no longer than it was shooting...
Page 369 - Here she was wont to go ! and here ! and here ! Just where those daisies, pinks, and violets grow . The world may find the spring by following her, For other print her airy steps ne'er left. Her treading would not bend a blade of grass, Or shake the downy blow-ball from his stalk ! But like the soft west wind she shot along, And where she went, the flowers took thickest root, As she had sowed them with her odorous foot.