Julius Caesar'Cry havoc and let slip the dogs of war, |
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... come to an end with Henry V, and the major tragedies of the 1600s, which were to begin with Hamlet the following year. Julius Caesar is a play on the cusp, a double-visioned work sharing something in common with both genres: it combines ...
... come to an end with Henry V, and the major tragedies of the 1600s, which were to begin with Hamlet the following year. Julius Caesar is a play on the cusp, a double-visioned work sharing something in common with both genres: it combines ...
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... come onstage and begin the play. But the first thing to be said in this play is an order to go away again. The effect, startling in any century, would have been particularly acute at the Globe in 1599. We are used to theatrical ...
... come onstage and begin the play. But the first thing to be said in this play is an order to go away again. The effect, startling in any century, would have been particularly acute at the Globe in 1599. We are used to theatrical ...
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... comes up again, when Caesar remarks on Cassius' philistine attitudes: 'He loves no plays, | As thou dost, Antony; he hears no music' (I.2.202–3). This time the undertone is sinister: if only Cassius were to take more interest in ...
... comes up again, when Caesar remarks on Cassius' philistine attitudes: 'He loves no plays, | As thou dost, Antony; he hears no music' (I.2.202–3). This time the undertone is sinister: if only Cassius were to take more interest in ...
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action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong