Julius Caesar'Cry havoc and let slip the dogs of war, |
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... called because they were made from printers' sheets folded twice to form four leaves (eight pages). None of them shows any sign that he was involved in their publication. For him, performance was the primary means of publication. The ...
... called because they were made from printers' sheets folded twice to form four leaves (eight pages). None of them shows any sign that he was involved in their publication. For him, performance was the primary means of publication. The ...
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... called purgers, not murderers. (II.1.173–80) Vivisection and animal sacrifice played an important part in Roman religion, which is why Brutus can imagine that the conspirators might be seen as sacrificers rather than butchers; but does ...
... called purgers, not murderers. (II.1.173–80) Vivisection and animal sacrifice played an important part in Roman religion, which is why Brutus can imagine that the conspirators might be seen as sacrificers rather than butchers; but does ...
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... milieu is what might be called a significant irrelevance: the playgoers of 1599 are reminded of their own habitual modes of political thought, and that reminder serves as a marker of their own distance from the Roman.
... milieu is what might be called a significant irrelevance: the playgoers of 1599 are reminded of their own habitual modes of political thought, and that reminder serves as a marker of their own distance from the Roman.
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... called (in 1818, apropos of Shakespeare's later Roman tragedy Coriolanus) 'philosophic impartiality'. a POLITICS AND HISTORY The central issue in Julius Caesar is not one of policy but of power. The play isn't fundamentally concerned ...
... called (in 1818, apropos of Shakespeare's later Roman tragedy Coriolanus) 'philosophic impartiality'. a POLITICS AND HISTORY The central issue in Julius Caesar is not one of policy but of power. The play isn't fundamentally concerned ...
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... called it a 'statue-filled' city), but it is striking that Julius Caesar contains more references to statues than any other in the Shakespeare canon, including the three other Roman plays. There is evidently more to these statues than ...
... called it a 'statue-filled' city), but it is striking that Julius Caesar contains more references to statues than any other in the Shakespeare canon, including the three other Roman plays. There is evidently more to these statues than ...
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Common terms and phrases
action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong