Janson's History of Art: The Western Tradition, Volume 2For courses in the History of Art. Completely rewritten and reorganized, this groundbreaking edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative digital art library.Experience the new Janson and re-experience the history of art. Long established as the classic and seminal introduction to art of the Western world, the Seventh Edition ofJanson's History of Artis groundbreaking. When Harry Abrams first published theHistory of Artin 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist. Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view.The History of Art, said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson's text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson'sHistory of Arthelped to establish the canon of art history for many generations of scholars. The new Seventh Edition introduces the authorship of six distinguished specialists narrating the history of art for today's students. The contribution of multiple authors allows an expert's understanding to permeate each and every part of the text with a currency in art historical thinking and an enhanced discussion of context. The result is a complete rewriting and a weaving together of expert knowledge into a meaningful and powerful presentation of Western art. |
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Page 471
the Holy Roman Empire, England, and the Burgundian Netherlands, many of
which were linked by treaty or marriage, a preference emerged for a highly
refined form of Gothic art, which has been termed International Gothic. Yet within
these ...
the Holy Roman Empire, England, and the Burgundian Netherlands, many of
which were linked by treaty or marriage, a preference emerged for a highly
refined form of Gothic art, which has been termed International Gothic. Yet within
these ...
Page 804
THE GOTHIC REVIVAL: STRAWBERRY HILL While the Woods were developing
Bath to look like a Roman city and Palladian country houses were springing up
all over England, a Gothic Revival was taking place as well. An interest in Gothic
...
THE GOTHIC REVIVAL: STRAWBERRY HILL While the Woods were developing
Bath to look like a Roman city and Palladian country houses were springing up
all over England, a Gothic Revival was taking place as well. An interest in Gothic
...
Page 1127
Gothic Stained Glass, 1200-1 iOO. Ithaca. NY: ( ;ornell University Press, 1985. I
lamburgcr, J. F. The Visual and the Visionary: Art and Female Spirituality in Lute
Medieval Germany. Zone Books. Cambridge, MA: MIT Pre**. 1998. Kintzciu H.
Gothic Stained Glass, 1200-1 iOO. Ithaca. NY: ( ;ornell University Press, 1985. I
lamburgcr, J. F. The Visual and the Visionary: Art and Female Spirituality in Lute
Medieval Germany. Zone Books. Cambridge, MA: MIT Pre**. 1998. Kintzciu H.
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Contents
Table of Contents vii | 417 |
The Early Renaissance | 419 |
Faculty and Student Resources for Teaching | 423 |
Copyright | |
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abstract Abstract Expressionism aesthetic altarpiece ancient architect architecture Art Nouveau artists Baroque beauty became began Brunelleschi building called Caravaggio Cathedral ceiling century Chapel Christ church Classical color commissioned composition contemporary court create Cubism culture Dada death decorative depicts developed dome Donatello drawing Duchamp emotion Europe expression Expressionist facade figures Florence Florentine forms France Frank Lloyd Wright French fresco Gallery genre German Gothic Greek High Renaissance inspired interior International Gothic Italian Italy Jan van Eyck landscape light Marcel Duchamp Masaccio Medici medieval ment Michelangelo modern monumental Museum nature Neoclassicism objects Oil on canvas painter painting palace Paris patrons photograph picture portrait Post-Minimal prints Raphael reflects religious Renaissance Rights Society Rococo Roman Rome Rubens Saint scene sculpture seen social space spiritual structure style suggests surface symbol technique theme tion Titian tradition ture Venice viewer Virgin visual wall women York