Janson's History of Art: The Western Tradition, Volume 2For courses in the History of Art. Completely rewritten and reorganized, this groundbreaking edition weaves together the most recent scholarship, the most current thinking in art history, and the most innovative digital art library.Experience the new Janson and re-experience the history of art. Long established as the classic and seminal introduction to art of the Western world, the Seventh Edition ofJanson's History of Artis groundbreaking. When Harry Abrams first published theHistory of Artin 1962, John F. Kennedy occupied the White House, and Andy Warhol was an emerging artist. Janson offered his readers a strong focus on Western art, an important consideration of technique and style, and a clear point of view.The History of Art, said Janson, was not just a stringing together of historically significant objects, but the writing of a story about their interconnections, a history of styles and of stylistic change. Janson's text focused on the visual and technical characteristics of the objects he discussed, often in extraordinarily eloquent language. Janson'sHistory of Arthelped to establish the canon of art history for many generations of scholars. The new Seventh Edition introduces the authorship of six distinguished specialists narrating the history of art for today's students. The contribution of multiple authors allows an expert's understanding to permeate each and every part of the text with a currency in art historical thinking and an enhanced discussion of context. The result is a complete rewriting and a weaving together of expert knowledge into a meaningful and powerful presentation of Western art. |
From inside the book
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Page 451
Giotto's surviving murals, those in the Scrovegni Chapel in Padua, painted in
1305 and 1306, are the best preserved and most famous. The chapel was built
next to the palace of a Paduan banker, Enrico Scrovegni. (It is also known as the
...
Giotto's surviving murals, those in the Scrovegni Chapel in Padua, painted in
1305 and 1306, are the best preserved and most famous. The chapel was built
next to the palace of a Paduan banker, Enrico Scrovegni. (It is also known as the
...
Page 515
This family hired Brunelleschi to design a chapel adjacent to the Franciscan
church of Santa Croce. Construction began on this chapel (fig. 15.9) around 1442
and continued until 1465, so the extent of Brunelleschi's participation in the final ...
This family hired Brunelleschi to design a chapel adjacent to the Franciscan
church of Santa Croce. Construction began on this chapel (fig. 15.9) around 1442
and continued until 1465, so the extent of Brunelleschi's participation in the final ...
Page 662
Caravaggio's first important public commission was a series of three monumental
canvases devoted to St. Matthew that he painted for the Contarelli Chapel in San
Luigi dei Francesi from 1599 to 1602 (fig. 19.1). The Church for the French ...
Caravaggio's first important public commission was a series of three monumental
canvases devoted to St. Matthew that he painted for the Contarelli Chapel in San
Luigi dei Francesi from 1599 to 1602 (fig. 19.1). The Church for the French ...
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Contents
Table of Contents vii | 417 |
The Early Renaissance | 419 |
Faculty and Student Resources for Teaching | 423 |
Copyright | |
48 other sections not shown
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