ShakespeareJ. Cape, 1961 - 448 pages |
From inside the book
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Page 105
... seems to require such an inter- pretation is the earlier Sonnet 72 , which ends : My name be buried where my body is , And live no more to shame nor me nor you ; For I am sham'd by that which I bring forth , And so should you , to love ...
... seems to require such an inter- pretation is the earlier Sonnet 72 , which ends : My name be buried where my body is , And live no more to shame nor me nor you ; For I am sham'd by that which I bring forth , And so should you , to love ...
Page 273
... seems to absorb the violence of the imagery , without need to modify the image itself . The conceit becomes the natural extravagance of a depth of emotion that would else go unuttered . And there seems to be no limit to the possibility ...
... seems to absorb the violence of the imagery , without need to modify the image itself . The conceit becomes the natural extravagance of a depth of emotion that would else go unuttered . And there seems to be no limit to the possibility ...
Page 415
... seems to have been bent on validating his own final surmise that ' we are such stuff as dreams are made on ' . Something of the same elusiveness seems to have mocked such efforts as were made by the seventeenth century to particularize ...
... seems to have been bent on validating his own final surmise that ' we are such stuff as dreams are made on ' . Something of the same elusiveness seems to have mocked such efforts as were made by the seventeenth century to particularize ...
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actors Antony Antony and Cleopatra audience Bastard become believe character Cleopatra Coleridge comedy conceit condition conscious Coriolanus creative death deliberate divine doth drama dream Elizabethan Enobarbus experience Falstaff feel genius Gentlemen of Verona Ghost Hamlet hath heart heaven Henry honour Horatio Hotspur human Iago imagination impression Jonson Keats kind King John King Lear live lord Macbeth madness matter means Merchant of Venice Mercutio merely mind moral nature necessity never Othello passion Perdita perhaps play players playwright poet poetic poetry Prince Hamlet Prospero queen reality Richard Richard II royal royalty scene seems sensation sense Shake Shakespeare criticism Shakespearian Shylock simple sleep sonnets soul speak speare speare's speech spontaneity story strange Stratford substance sweet Tempest theatre thee theme thing thou thought tion tragedy true Twelfth Night utterance Venus and Adonis verse Winter's Tale words writing