ShakespeareJ. Cape, 1961 - 448 pages |
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Page 133
... reasons for supposing one of these not to have been addressed to the popular audience at all . The reason why ... reason was that he did not feel safe in inventing plots . He did not believe that his unaided inventions would be ...
... reasons for supposing one of these not to have been addressed to the popular audience at all . The reason why ... reason was that he did not feel safe in inventing plots . He did not believe that his unaided inventions would be ...
Page 137
... reasons for supposing one of these not to have been addressed to the popular audience at all . The reason why ... reason was that he did not feel safe in inventing plots . He did not believe that his unaided inventions would be ...
... reasons for supposing one of these not to have been addressed to the popular audience at all . The reason why ... reason was that he did not feel safe in inventing plots . He did not believe that his unaided inventions would be ...
Page 219
... reason , no sooner knew the reason but they sought the remedy ; and in these degrees have they made a pair of stairs to marriage which they will climb incontinent , or else be incontinent before marriage : they are in the very wrath of ...
... reason , no sooner knew the reason but they sought the remedy ; and in these degrees have they made a pair of stairs to marriage which they will climb incontinent , or else be incontinent before marriage : they are in the very wrath of ...
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actors Antony Antony and Cleopatra audience Bastard become believe character Cleopatra Coleridge comedy conceit condition conscious Coriolanus creative death deliberate divine doth drama dream Elizabethan Enobarbus experience Falstaff feel genius Gentlemen of Verona Ghost Hamlet hath heart heaven Henry honour Horatio Hotspur human Iago imagination impression Jonson Keats kind King John King Lear live lord Macbeth madness matter means Merchant of Venice Mercutio merely mind moral nature necessity never Othello passion Perdita perhaps play players playwright poet poetic poetry Prince Hamlet Prospero queen reality Richard Richard II royal royalty scene seems sensation sense Shake Shakespeare criticism Shakespearian Shylock simple sleep sonnets soul speak speare speare's speech spontaneity story strange Stratford substance sweet Tempest theatre thee theme thing thou thought tion tragedy true Twelfth Night utterance Venus and Adonis verse Winter's Tale words writing