ShakespeareJ. Cape, 1961 - 448 pages |
From inside the book
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Page 26
... Shakespeare , must enjoy a part ... he is manifestly arguing an a priori case . Since Shake- speare was such a great poet , the deliberate art ( as Jonson understood it ) must have been in him . He is ... Shakespeare ; part of 26 SHAKESPEARE.
... Shakespeare , must enjoy a part ... he is manifestly arguing an a priori case . Since Shake- speare was such a great poet , the deliberate art ( as Jonson understood it ) must have been in him . He is ... Shakespeare ; part of 26 SHAKESPEARE.
Page 64
... Shakespeare's ' bumbasting ' . For the accusation of conceit Chettle subsequently apologizes when he says that he had him- self seen how ' civil was Shakespeare's demeanour ' . In fact of authorship , Shakespeare was accused by Greene ...
... Shakespeare's ' bumbasting ' . For the accusation of conceit Chettle subsequently apologizes when he says that he had him- self seen how ' civil was Shakespeare's demeanour ' . In fact of authorship , Shakespeare was accused by Greene ...
Page 141
John Middleton Murry. CHAPTER VI SHAKESPEARE AND HISTORY Richard II falls exactly in the middle of the sequence of Shakespeare's histories . Four historical plays were written before it ; four after it . Its content corresponds to its ...
John Middleton Murry. CHAPTER VI SHAKESPEARE AND HISTORY Richard II falls exactly in the middle of the sequence of Shakespeare's histories . Four historical plays were written before it ; four after it . Its content corresponds to its ...
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Common terms and phrases
actors Antony Antony and Cleopatra audience Bastard become believe character Cleopatra Coleridge comedy conceit condition conscious Coriolanus creative death deliberate divine doth drama dream Elizabethan Enobarbus experience Falstaff feel genius Gentlemen of Verona Ghost Hamlet hath heart heaven Henry honour Horatio Hotspur human Iago imagination impression Jonson Keats kind King John King Lear live lord Macbeth madness matter means Merchant of Venice Mercutio merely mind moral nature necessity never Othello passion Perdita perhaps play players playwright poet poetic poetry Prince Hamlet Prospero queen reality Richard Richard II royal royalty scene seems sensation sense Shake Shakespeare criticism Shakespearian Shylock simple sleep sonnets soul speak speare speare's speech spontaneity story strange Stratford substance sweet Tempest theatre thee theme thing thou thought tion tragedy true Twelfth Night utterance Venus and Adonis verse Winter's Tale words writing