The works of John Marston, repr., with notes [&c.] by J.O. Halliwell, Volume 11856 |
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Page 7
... wants . With sleek acceptance polish these rude sceanes ; And if our slightnesse your large hope beguiles , Check not with bended brow , but dimpled smiles . [ Exit Prologue . ACTUS PRIMUS . Ant . The Cornets sound a battle 31/2 3/18 31/8.
... wants . With sleek acceptance polish these rude sceanes ; And if our slightnesse your large hope beguiles , Check not with bended brow , but dimpled smiles . [ Exit Prologue . ACTUS PRIMUS . Ant . The Cornets sound a battle 31/2 3/18 31/8.
Page 9
John Marston James Orchard Halliwell- Phillipps. ACTUS PRIMUS . Ant . The Cornets sound a battle within . ¶ Enter ANTONIO , disguised like an Amazon . II EART , wilt not break ? and thou abhorred life , Wilt thou still breath in my ...
John Marston James Orchard Halliwell- Phillipps. ACTUS PRIMUS . Ant . The Cornets sound a battle within . ¶ Enter ANTONIO , disguised like an Amazon . II EART , wilt not break ? and thou abhorred life , Wilt thou still breath in my ...
Page 10
... Cornets sound a flourish ; cease . Harke how Piero's triumphs beat the ayre ; O , rugged mischiefe , how thou grat'st my heart ! Take spirit , blood ; disguise , be confident ; Make a firme stand ; here rests the hope of all , - Lower ...
... Cornets sound a flourish ; cease . Harke how Piero's triumphs beat the ayre ; O , rugged mischiefe , how thou grat'st my heart ! Take spirit , blood ; disguise , be confident ; Make a firme stand ; here rests the hope of all , - Lower ...
Page 12
... Cornets sound a cynet . ROSSALINE , and FLAVIA . Exit Piero tantum . Enter above , MELLIDA , Enter belowe , GALEATZO with Attendants ; PIERO meeteth him , embraceth ; at which the Cornets sound a florish ; PIERO and GALEATZO exeunt ...
... Cornets sound a cynet . ROSSALINE , and FLAVIA . Exit Piero tantum . Enter above , MELLIDA , Enter belowe , GALEATZO with Attendants ; PIERO meeteth him , embraceth ; at which the Cornets sound a florish ; PIERO and GALEATZO exeunt ...
Page 13
... Cornets sound a cynet . Ros By my nine and thirteth servant ( sweete ) Thou art in love , but stand on tiptoed faire ; Here comes Saint Tristram Tirlery Whiffe , yfaith . ¶ Enter MATZAGENTE ; PIERO meetes him ; embraceth ; at which the ...
... Cornets sound a cynet . Ros By my nine and thirteth servant ( sweete ) Thou art in love , but stand on tiptoed faire ; Here comes Saint Tristram Tirlery Whiffe , yfaith . ¶ Enter MATZAGENTE ; PIERO meetes him ; embraceth ; at which the ...
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The Works Of John Marston, Repr., With Notes [&c.] By J.o. Halliwell John Marston No preview available - 2019 |
Common terms and phrases
Albano Alberto Andrugio Antonio ANTONIO AND MELLIDA armes Asdruball ayre Balurdo Beleeve blood bloud breast breath Carthage CARTHALO CASTILIO Celia cheeke Cirta Cornets sound cynet dead deare Dildo dost doth Duke Eastward Hoe Enter Exeunt Exit eyes faire faith fate father feare Feli Feliche foole FOROBOSCO fortune GALEATZO Gelosso give gods gratious griefe Harke hast hate hath heart heaven honour Iaco Iacomo John Marston Jove Jugurth kisse ladie live looke lord Lucio Marston Massinissa Mellida musicke nere night passion perfumer Piero pree thee prince Quadratus revenge Rossaline Saint Marke sceane SCENA Scipio shee Sinior slave sonne Sophonisba soule speake spirit Strotzo sute sweete Syphax thinke thou art thought thy selfe troth twill unto Venice vertue weele weepe whilst wretched Zanthia
Popular passages
Page 71 - Who winks, and shuts his apprehension up From common sense of what men were, and are, Who would not know what men must be; let such Hurry amain from our black visag'd shows : We shall affright their eyes.
Page 130 - I ha' but played a part Like to some boy that acts a tragedy, Speaks burly words and raves out passion; But when he thinks upon his infant weakness, He droops his eye. I spake more than a god, Yet am less than a man.
Page xiii - He had many quarrells with Marston, beat him, and took his pistol from him, wrote his Poetaster on him; the beginning of them were, that Marston represented him in the stage, in his youth given to venerie.
Page 127 - Screch't out so lowd that he brought back her soule, Calde her againe, that her bright eyes gan ope, And starde upon him. He, audatious foole, Dar'd kisse her hand, wisht her soft rest, lov'd bride ; She fumbled out, thanks good, and so she dide.
Page 32 - I'll muster forces, an unvanquish'd power ; Cornets of horse shall press th' ungrateful earth, This hollow wombed mass shall inly groan, And murmur to sustain the weight of arms : Ghastly amazement, with upstarted hair, Shall hurry on before, and usher us, Whilst trumpets clamour with a sound of death.
Page xi - I ask't Phisitions what their counsell was For a mad dogge, or for a mankind asse ? They told me, though there were confections store Of poppie-seede and soveraigne hellebore.
Page 250 - I wasted lamp-oil, baited my flesh, Shrunk up my veins: and still my spaniel slept. And still I held converse with Zabarell, Aquinas, Scotus, and the musty saw Of antick Donate: still my spaniel slept. Still on went I; first, an sit anima; Then, an it were mortal.
Page 248 - And you have a propensitude to him, he shall be for you. I was solicited to graunt him leave to play the lady in commedies presented by children ; but I knew his voice was to smale, and his stature to loe.
Page xxii - Mr. Halliwell, at the close of his Preface to the Works of Marston, (vol. ip xxii,) says, " The dramas now collected together are reprinted absolutely from the early editions, which were placed in the hands of our printers, who thus had the advantage of following them without the intervention of a transcriber. They are given as nearly as possible in their original state, the only modernizations attempted consisting in the alternations of the letters i and^', and u and v, the retention of which