The New Encyclopædia Britannica, Volume 2Encyclopædia Britannica, 1992 - Encyclopedias and dictionaries |
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Page 3
... Play the opening of a toccata slowly and arpeggiando . . . . If one hand has a trill , while the other plays a passage , do not play note against note , but play the trill rapidly and the other expressively . " Such directions indicate ...
... Play the opening of a toccata slowly and arpeggiando . . . . If one hand has a trill , while the other plays a passage , do not play note against note , but play the trill rapidly and the other expressively . " Such directions indicate ...
Page 117
had had since childhood , he wrote two pup- pet plays : Los títeres de cachiporra ( The Billy Club Puppets ) and Retabillo de Don Cristó- bal ( The Puppet Play of Don Cristóbal ) . Even these puppet farces were clouded by melan- choly ...
had had since childhood , he wrote two pup- pet plays : Los títeres de cachiporra ( The Billy Club Puppets ) and Retabillo de Don Cristó- bal ( The Puppet Play of Don Cristóbal ) . Even these puppet farces were clouded by melan- choly ...
Page 166
... play was staged to suggest a naturalistic scene , with actors al- ready on stage as the audience arrived ( as if the audience were seeing life , not a play , in progress ) . This nontraditional technique was supported by other ...
... play was staged to suggest a naturalistic scene , with actors al- ready on stage as the audience arrived ( as if the audience were seeing life , not a play , in progress ) . This nontraditional technique was supported by other ...
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