The New Encyclopædia Britannica, Volume 2Encyclopædia Britannica, 1992 - Encyclopedias and dictionaries |
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Page 76
... painter and engraver and an important figure in London art circles at the time . From him Gainsborough learned something of the French Rococo idiom , which had a considerable influence on the develop- ment of his style . In 1746 in ...
... painter and engraver and an important figure in London art circles at the time . From him Gainsborough learned something of the French Rococo idiom , which had a considerable influence on the develop- ment of his style . In 1746 in ...
Page 276
... painter Sebastiano del Piombo after the master's death . The composition and colour are so fully Giorgione's that Sebastiano could only have added a few finishing touches . In addition , the dreamy melancholy of the three men - who ...
... painter Sebastiano del Piombo after the master's death . The composition and colour are so fully Giorgione's that Sebastiano could only have added a few finishing touches . In addition , the dreamy melancholy of the three men - who ...
Page 396
... painter Diego Ve- lázquez in the royal collection , many of which he copied in etchings ( c . 1778 ) . Later in life he is said to have acknowledged three mas- ters : Velázquez , Rembrandt , and , above all , nature . Rembrandt's ...
... painter Diego Ve- lázquez in the royal collection , many of which he copied in etchings ( c . 1778 ) . Later in life he is said to have acknowledged three mas- ters : Velázquez , Rembrandt , and , above all , nature . Rembrandt's ...
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