Kingdom of Disorder: The Theory of Tragedy in Classical FranceIn this revisionist study of the poetics of tragedy during the French classical age, John Lyons challenges prevailing notions of a coherent, unified, and widely accepted classical doctrine. |
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Page 5
... Aristotle's work were written , this model was established and available to be transferred onto the Greek text . Slightly less than a century before Corneille's examens , Barto- lomeo Maranta wrote a series of lectures on Aristotle's ...
... Aristotle's work were written , this model was established and available to be transferred onto the Greek text . Slightly less than a century before Corneille's examens , Barto- lomeo Maranta wrote a series of lectures on Aristotle's ...
Page 103
... Aristotle's poetics , anagkaios ( le nécessaire , " the necessary " ) , as the signifier of the subver- sive , desiring , aesthetic force that combats verisimilitude . " He quotes Aristotle : " le poète n'est pas obligé de traiter les ...
... Aristotle's poetics , anagkaios ( le nécessaire , " the necessary " ) , as the signifier of the subver- sive , desiring , aesthetic force that combats verisimilitude . " He quotes Aristotle : " le poète n'est pas obligé de traiter les ...
Page 128
... Aristotle , Poetics 128 ) . Almost all theorists of tragedy make gestures of respect toward Aristotle's demand that , as Chapelain says , " le poète imite les actions des grands dont les fins ont été malheureuses et qui n'étaient ni ...
... Aristotle , Poetics 128 ) . Almost all theorists of tragedy make gestures of respect toward Aristotle's demand that , as Chapelain says , " le poète imite les actions des grands dont les fins ont été malheureuses et qui n'étaient ni ...
Contents
Articulating the Aesthetic 1 Regular Theater | 1 |
Taking Aristotle Apart | 3 |
Multiplication Conflict and Inflation | 9 |
Copyright | |
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according action ancient appears Aristotle Aristotle's audience Bossuet called century Chapelain characters choses classical color complet concept considered Corneille Corneille's created crime critics d'Aubignac dans describes desire discourse discussion dramatic effect emotion example experience fact faire fait faut fear France French gives hand happen hero horror important kind La Mesnardière less limited major Mesnardière moral nature observation onstage painting Paris passion performance person pity play playwright pleasure plot poetics possible practice preface present qu'elle qu'il Racine reader reading reason règle regularity relation representation represented rules says seems sense separate seventeenth seventeenth-century single space specific spectator spectator's stage suppose temps theater théâtre theoretical theorists theory things tion tout tragedy tragic unity of place verisimilar verisimilitude writes