A System of Elocution: With Special Reference to Gesture, to the Treatment of Stammering, and Defective Articulation ... |
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Page 22
... Diag . 2 . Diag . 3 . à 8 W 20 The opening of the tube ( Diag . 1 , ) represents the aperture of the mouth in the utterance of the mono- * I have said that à and I are sometimes diphthongs , and some- times triphthongs ; hence , above ...
... Diag . 2 . Diag . 3 . à 8 W 20 The opening of the tube ( Diag . 1 , ) represents the aperture of the mouth in the utterance of the mono- * I have said that à and I are sometimes diphthongs , and some- times triphthongs ; hence , above ...
Page 23
... Diag . 2 represents the aperture of the mouth in commencing the utterance of the diph- thong & - the portion of the figure between 8 and w , shows the gradual diminution of the aperture of the mouth during the utterance of the first ...
... Diag . 2 represents the aperture of the mouth in commencing the utterance of the diph- thong & - the portion of the figure between 8 and w , shows the gradual diminution of the aperture of the mouth during the utterance of the first ...
Page 39
... Diag . 4 is a graphic representation of the scale . The heavy , horizontal , parallel lines , represent the notes ; and the spaces between them , the consecutive intervals of the scale . * DIATONIC [ Greek , da , by or through , and ...
... Diag . 4 is a graphic representation of the scale . The heavy , horizontal , parallel lines , represent the notes ; and the spaces between them , the consecutive intervals of the scale . * DIATONIC [ Greek , da , by or through , and ...
Page 40
... ( Diag . 4. ) -2 -- Re- 1 -- Do-- An interval is a difference in pitch . Intervals are either discrete , or concrete . A discrete interval is the difference in pitch between any two notes which vary from each other in acuteness and ...
... ( Diag . 4. ) -2 -- Re- 1 -- Do-- An interval is a difference in pitch . Intervals are either discrete , or concrete . A discrete interval is the difference in pitch between any two notes which vary from each other in acuteness and ...
Page 41
... Diag . 5. ) Diag . 5 . Medium Compass of the Human Voice . Natural Voice . Falsetto Voice . 8 - Do- 7 --Si- 6 - La- 5 -Sol- 4 - Fa- -Mi- 2 - Re- 1 - Do- 7 - Si- 6 - La- 5 - Sol- 4 - Fa- 3 - Mi- 2 - Re- -Do- - Si- 17 6 - La- 5 - Sol- 4 ...
... Diag . 5. ) Diag . 5 . Medium Compass of the Human Voice . Natural Voice . Falsetto Voice . 8 - Do- 7 --Si- 6 - La- 5 -Sol- 4 - Fa- -Mi- 2 - Re- 1 - Do- 7 - Si- 6 - La- 5 - Sol- 4 - Fa- 3 - Mi- 2 - Re- -Do- - Si- 17 6 - La- 5 - Sol- 4 ...
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Common terms and phrases
action Andrew Comstock articulation beauty body breath Brutus Cæsar Caius Verres called Cato circumflex dark death degrees Diag diatonic scale diphthongs earth elements elevated Elocution emphatic English language Erin go bragh eternal ev'ry exercise expression extended eyes falling inflection falsetto Fathers feet fingers force formed glory grace grave heart heaven honour horizontal forwards human voice Hyder Ali incisor inflection left foot letters light limbs Lochiel Lochinvar lord manner marked melody mind motion muscles natural never night notation o'er orator Philadelphia pitch position posture principal gesture pronounced pupil Quintilian rest right foot Rome semitone sentiments shade shf st smile song soul sound speak speech spirit stammering striking syllable thee things thou thought tion tongue trembling triphthongs ture utterance Vocal Gymnastics voice vowel wave words
Popular passages
Page 332 - Eske river, where ford there was none ; But, ere he alighted at Netherby gate, The bride had consented, the gallant came late : For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he...
Page 238 - Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart — Go forth, under the open sky, and list To nature's teachings, while from all around — Earth and her waters, and the depths of air — Comes a still voice...
Page 314 - Like little wanton boys that swim on bladders, This many summers in a sea of glory; But far beyond my depth : my high-blown pride At length broke under me ; and now has left me, Weary, and old with service, to the mercy Of a rude stream, that must for ever hide me.
Page 211 - Last noon beheld them full of lusty life, Last eve in Beauty's circle proudly gay, The midnight brought the signal-sound of strife, The morn the marshalling in arms - the day Battle's magnificently stern array...
Page 249 - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
Page 177 - I AM monarch of all I survey, My right there is none to dispute ; From the centre all round to the sea I am lord of the fowl and the brute.
Page 324 - Unfurled her standard to the air, She tore the azure robe of night, And set the stars of glory there ! She mingled with its gorgeous dyes The milky baldric of the skies, And striped its pure celestial white With streakings of the morning light ; Then, from his mansion in the sun, She called her eagle-bearer down, And gave into his mighty hand The symbol of her chosen land...
Page 255 - Ask yourselves how this gracious reception of our petition comports with those warlike preparations which cover our waters and darken our land. Are fleets and armies necessary to a work of love and reconciliation ? Have we shown ourselves so unwilling to be reconciled that force must be called in to win back our love?
Page 239 - Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound Save his own dashings, — yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep, — the dead reign there alone.
Page 275 - He looks abroad into the varied field Of nature, and though poor, perhaps, compared With those whose mansions glitter in his sight, Calls the delightful scenery all his own. His are the mountains, and the valleys his, And the resplendent rivers. His to' enjoy With a propriety that none can feel, But who, with filial confidence inspired. Can lift to Heaven an unpresumptuous eye, And smiling say —