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And observation strange, my meaner ministers
Their several kinds have done;' my high charms work,
And these, mine enemies, are all knit up
In their distractions: they now are in my power;
And in these fits I leave them, whilst I visit
Young Ferdinand, (whom they suppose is drown'd,)
And his and my loved darling [Exit Pro. from above.

Gon. I' the name of something holy, sir, why stand you
In this strange stare?

O, it is monstrous! monstrous ! Methought, the billows spoke, and told me of it; The winds did sing it to me; and the thunder, That deep and dreadful organ-pipe, pronounc'd The name of Prosper; it did bass my trespass.”

Good life, however, in Twelfth Night, seems to be used for innocent jollity, as we now say a bon vivant: “Would you (says the Clown) have a love song, or a song of good life.?Sir Toby answers, A love song, a love song;”—“Ay, ay, (replies Sir Andrew,) I care not for good life.” It is plain, from the character of the last speaker, that he was meant to mistake the sense in which good life is used by the Clown. It may, therefore, in the present instance, mean, honest alacrity, or cheerfulness.

Life seems to be used in the chorus to the fifth act of K. Henry V. with some meaning like that wanted to explain the approba. tion of Prospero:

“ Which cannot in their huge and proper life

“ Be here presented.” The same phrase occurs yet more appositely in Chapman's translation of Homer's Hymn to Apollo:

“ And these are acted with such exquisite life,
“ That one would say, Now the Ionian strains

“ Are turn'd immortals.” Steevens. To do any thing with good life, is still a provincial expression in the west of England, and signifies, to do it with the full bent and energy of mind:-“ And observation strange,” is with such minute attention to the orders given, as to excite admiration. Henley.

1 Their several kinds have done :) i. e. have discharged the several functions, allotted to their different natures. Thus, in Antony and Cleopatra, Act V. sc. ii. the Clown says—". You must think this, look you, that the worm will do his kind.Steevens.

bass my trespass.] The deep pipe told it me in a rough bass sound. Fohnson. So, in Spenser's Fairy Queen, B. II. c. 12:

the rolling sea resounding soft,
“ In his big base them fitly answered.” Steevens.


Therefore my son i’ the ooze is bedded; and
I'll seek him deeper, than e'er plummet sounded,
And with him there lie mudded.3

[Exit. Seb.

But one fiend at a time, I'll fight their legions o'er. Ant.

I'll be thy second.

[Exeunt SEB, and ANT. Gon. All three of them are desperate; their great guilt, Like poison given to work a great time after, Now 'gins to bite the spirits :- I do beseech you That are of suppler joints, follow them swiftly, And hinder them from what this ecstacy5 May now provoke them to. Adr.

Follow, I pray you.


Again, in Davis's Microcosmos, 1605, p. 32:

“ The singing bullets made his soul rejoice
“ As musicke, that the hearing most alures;
“ And if the canons bas'd it with their voice,

“ He seemed as ravisht with an heavenly noise.” Reed. 3 And with him there lie mudded.

But one fiend -] As these hemistichs, taken together, exceed the proportion of a verse, I cannot help regarding the words -with him, and but, as playhouse interpolations.

The Tempest was evidently one of the last works of Shakspeare; and it is therefore natural to suppose, the metre of it must have been exact and regular. Dr. Farmer concurs with me in this supposition. Steevens.

4 Like poison given, &c.] The natives of Africa have been supposed to be possessed of the secret, how to temper poisons with such art as not to operate till several years after they were administered. Their drugs were then as certain in their effect, as subtle in their preparation. So, in the celebrated libel called Leicester's Commonwealth : I heard him once myselfe in publique act at Oxford, and that in presence of my lord of Leicester, maintain that poyson might be so tempered and given, as it should not appear presently, and yet should kill the party afterwards at what time should be appointed.” Steevens.

this ecstacy -] Ecstacy meant not anciently, as at present, rapturous pleasure, but alienation of mind. So, in Hamlet, Act III. sc. iv:

“ Nor sense to ecstacy was e'er so thrall’d_." Mr. Locke has not inelegantly styled it dreaming with our eyes open.




Before Prospero's Cell.
Pro. If I have too austerely punish'd you,
Your compensation makes amends; for I
Have given you here a thread of mine own life,
Or that for which I live; whom once again
I tender to thy hand: all thy vexations
Were but my trials of thy love, and thou
Hast strangely stood the test:7 here, afore Heaven,



- a thread of mine own life,] The old copy reads-third. The word thread was formerly so spelt, as appears from the following passage:

6 Long maist thou live, and when the sisters shall decree “ To cut in twaine the twisted third of life,

“ Then let him die,” &c. See comedy of Mucedorus, 1619, signat. C 3. Hawkins.

“ A third of mine own life" is a fibre or a part of my own life. Prospero considers himself as the stock or parent-tree, and his daughter as a fibre or portion of himself, and for whose benefit he himself lives. In this sense, the word is used in Markham's English Husbandman, edit. 1635, p. 146: “ Cut off all the maine rootes, within half a foot of the tree, only the small thriddes or twist rootes you shall not cut at all.” Again, ibid: “ Every branch and thrid of the root.” This is evidently the same word as thread, which is likewise spelt thrid by Lord Bacon. Tollet.

So, in Lingua, &c. 1607; and I could furnish many more in. stances :

“ For as a subtle spider closely sitting
“ In center of her web that spreadeth round,
“ If the least fly but touch the smallest third,

“ She feels it instantly." The following quotation, however, should seem to place the meaning beyond all dispute. In Acolastus, a comedy, 1540, is this passage:

“ – one of worldly shame's children, of his countenance, and THREDE of his body.” Steevens.

gain, in Tancred and Gismund, a tragedy, 1592, Tancred, speaking of his intention to kill his daughter, says:

" Against all law of kinde, to shred in twaine

“ The golden threede that doth us both maintain.Malone. estrangely stood the test:] Strangely is used by way of commendation, merveilleusement, to a wonder; the same is the sense in the foregoing scene. Fohnson.

I ratify this my rich gift. O Ferdinand,
Do not smile at me, that I boast her off,
For thou shalt find she will outstrip all praise,
And make it halt behind her.

I do believe it,
Against an oracle.

Pro. Then, as my gift, and thine own acquisition
Worthily purchas’d, take my daughter: But
If thou dost break her virgin knot, 9 before
All sanctimonious ceremonies may
With full and holy rite be minister'd,
No sweet aspersion shall the heavens let fall
To make this contract grow; but barren hate,
Sour-ey'd disdain, and discord, shall bestrew
The union of your bed, with weeds so loathly,

shall hate it both: therefore, take heed,
As Hymen's lamps shall light you.

As I hope For quiet days, fair issue, and long life, With such love as 'tis now; the murkiest den, The most opportune place, the strong'st suggestion Our worser Genius can, shall never melt Mine honour into lust; to take away The edge of that day's celebration, When I shall think, or Phoebus' steeds are founder'd, Or night kept chain'd below.2

i. e. in the last scene of the preceding act:

with good life, And observation strange —" Steevens. 8 Then, as my gift, and thine own acquisition -] My guest, first folio. Rowe first read-gift. Fohnson. A similar thought occurs in Antony and Cleopatra:

I send him
The greatness he has got.” Steevens.

- her virgin knot -] The same expression occurs in Pericles Prince of Tyre, 1609:

öc Untide I still my virgin knot will keepe.” Steevens. 1 No sweet aspersion - ] Aspersion is here used in its primitive sense of sprinkling. At present, it is expressive only of calumny and detraction. Steevens. 2 When I shall think, or Phæbus' steeds are founder'd,

Or night kept chain'd below.] A similar train of ideas occur in the 23d Book of Homer's Odyssey, thus translated by Chapman :




Fairly spoke:3
Sit then, and talk with her, she is thine own.
What, Ariel ; my industrious servant, Ariel!

Enter ARIEL.
Ari. What would my potent master? here I am,

Pro. Thou and thy meaner fellows your last service
Did worthily perform; and I must use you
In such another trick: go, bring the rabble, *
O'er whom I give thee power, here, to this place;
Incite them to quick motion; for I must
Bestow upon the eyes of this young couple
Some.vanity of mine art; it is my promise,
And they expect it from me.

Pro. Ay, with a twink.

Ari. Before you can say, Come, and go,
And breathe twice; and cry, 80, 80;
Each one, tripping on his toe,5
Will be here with mop and mowe:
Do you love me, master? no,

Pro. Dearly, my delicate Ariel: Do not approach,
Till thou dost hear me call.

Well I conceive. [Exit. Pro. Look, thou be true; do not give dalliance Too much the rein; the strongest oaths are straw To the fire i’ the blood: be more abstemious, Or else, good night, your vow! Fer.

I warrant you, sir; The white-cold virgin snow upon my heart Abates the ardour of my liver. Pro.


she th’extended night
“ With-held in long date; nor would let the light
“ Her wing'd-hoof horse join: Lampus, Phaeton,
" Those ever colts, that bring the morning on

“ To worldly men." Steevens. 3 Fairly spoke:] Fairiy is here used as a trisyllable. Steevens.

the rabble,] The crew of meancr spirits. Sohnson.
Come and

Each one, tripping on his toe,] Se, in Milton's L'Allegro, v. 39:

“ Come, and trip it as you go
“ On the light fantastic toe.” Steevens.


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