The Stage: Both Before and Behind the Curtain: From "observations Taken on the Spot.", Volume 1R. Bentley, 1840 - Theater |
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From "observations Taken on the Spot." Alfred Bunn. 2306 cz THE STAGE . VOL . I. I THE STAGE : BOTH BEFORE AND BEHIND THE CURTAIN Front Cover.
From "observations Taken on the Spot." Alfred Bunn. 2306 cz THE STAGE . VOL . I. I THE STAGE : BOTH BEFORE AND BEHIND THE CURTAIN Front Cover.
Page ii
From "observations Taken on the Spot." Alfred Bunn. QRITISIE MUS LONDON : IBOTSON AND PALMER , PRINTERS , SAVOY STREET , STRAND . PREFACE . THE postscript to a letter , as being.
From "observations Taken on the Spot." Alfred Bunn. QRITISIE MUS LONDON : IBOTSON AND PALMER , PRINTERS , SAVOY STREET , STRAND . PREFACE . THE postscript to a letter , as being.
Page iii
From "observations Taken on the Spot." Alfred Bunn. PREFACE . THE postscript to a letter , as being the result of an after - thought , is generally considered the most im- portant part of such communication - the preface to a book is ...
From "observations Taken on the Spot." Alfred Bunn. PREFACE . THE postscript to a letter , as being the result of an after - thought , is generally considered the most im- portant part of such communication - the preface to a book is ...
Page iv
From "observations Taken on the Spot." Alfred Bunn. If the reader will have the kindness , and at the same time , the patience , to compare the predictions and the observations , as well as the circumstances in connection with them ...
From "observations Taken on the Spot." Alfred Bunn. If the reader will have the kindness , and at the same time , the patience , to compare the predictions and the observations , as well as the circumstances in connection with them ...
Page v
From "observations Taken on the Spot." Alfred Bunn. man interested in theatrical affairs ought to be , to my poor way of thinking , better able to argue upon the construction of them , than those in no one way connected therewith ...
From "observations Taken on the Spot." Alfred Bunn. man interested in theatrical affairs ought to be , to my poor way of thinking , better able to argue upon the construction of them , than those in no one way connected therewith ...
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actor admission Alfred Bunn amongst amusement August Braham Bulwer Byron character Charles Kemble comedy Covent Garden theatre DEAR SIR dramatic Drury Lane theatre Ducrow Elliston engagement entertainment favour feelings genius George grant Harris Harvey Christian Coombe Haymarket honour humble instance Kean Kemble played King Lane and Covent lessee letter licence Liston London Lord Byron Lord Chamberlain Lordship Madame Malibran Madame Vestris Majesty Majesty's manager Mardyn Mathews matter ment Messrs Monsieur never night noble obedient servant opera opinion Paris parties patent theatres performers persons Peter Moore petitioner piece present principal profession proprietors reader receipt received reply respect Royal Drury Lane salary Samuel Whitbread scene season stage success successors supposed talent Theatre Royal Theatre Royal Drury theatrical thing Thomas Killigrew tion town tragedy W. C. Macready week William Farren Your's