Perspectives by Incongruity, Volume 2 |
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Page 26
... plot , a plot which too often has for its value the mere fact that we do not know its outcome.3 Music , then , fitted less than any other art for imparting information , deals minutely in frustrations and fulfillments of desire , and ...
... plot , a plot which too often has for its value the mere fact that we do not know its outcome.3 Music , then , fitted less than any other art for imparting information , deals minutely in frustrations and fulfillments of desire , and ...
Page 28
... plot awaking an interest in some other possible tangible incident of plot . To illustrate more fully , if an author managed over a certain number of his pages to produce a feeling of sultriness , or oppression , in the reader , this ...
... plot awaking an interest in some other possible tangible incident of plot . To illustrate more fully , if an author managed over a certain number of his pages to produce a feeling of sultriness , or oppression , in the reader , this ...
Page 180
... plot itself , the audience is somewhat invited to watch the plot as plot . However , we shall here confine ourselves mainly to the peripety , Act II , scene iii . Iago has promised so to manipulate the meaning of events that Othello ...
... plot itself , the audience is somewhat invited to watch the plot as plot . However , we shall here confine ourselves mainly to the peripety , Act II , scene iii . Iago has promised so to manipulate the meaning of events that Othello ...
Contents
The Excursion | 17 |
The Poetic Process | 34 |
From Preface to CounterStatement first edition | 50 |
Copyright | |
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altar analysis appeal Aristotle Arjk artist Aryan aspect attitude audience autoeroticism become burlesque Caesar Cassio character chiasmus Cinna consider conversion criticism Democritus Desdemona dialectical doctrine drama effect eloquence emotion esthetic eyes fact fall feel frame gashouse gang glory Hamlet Heaven Hence Hitler human I. A. Richards Iago Iago's idea ideal imagery imagine ingredients insofar instance interpretation Kenneth Burke kind literary living logic logological look magic matter Matthew Arnold means ment mind motives nature one's Othello pattern of experience perfect philosophy piety play plot poem poet poetic poetry possible principle psychology psychosis purely rational reader reference require ritual romanticism scene scientific sense Shakespeare situation social stanza Stendhal strategy stressing structure suggest symbolic theme things thou thought tion tragedy tragic transvaluation of values Treep truth turn Wawl whereby word writing