New Monthly Magazine, and Universal Register, Volume 8Thomas Campbell, Samuel Carter Hall, Edward Bulwer Lytton Baron Lytton, Thomas Hood, Theodore Edward Hook, William Harrison Ainsworth, William Ainsworth E. W. Allen, 1823 |
From inside the book
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Page 4
... expression . I see him distinctly at one moment a hard - headed working lawyer , the next a glowing politician , the next an awful theologian ; his features now sunk into the deepest shade of patriotic anguish , now illuminated , no one ...
... expression . I see him distinctly at one moment a hard - headed working lawyer , the next a glowing politician , the next an awful theologian ; his features now sunk into the deepest shade of patriotic anguish , now illuminated , no one ...
Page 17
... expression . Under character we understood the general nature and feeling which pervades a poem in toto . Verbal expression regards the appropriate musical utterance of every succes- sive sentence in a poetical text . It might aptly be ...
... expression . Under character we understood the general nature and feeling which pervades a poem in toto . Verbal expression regards the appropriate musical utterance of every succes- sive sentence in a poetical text . It might aptly be ...
Page 19
... expression must be self - evident ; the employment of these resources being , like those above - mentioned ... expressions , the crescendo for cases of rhetorical climax , the calando , deminuendo , morendo , & c . for decreasing ...
... expression must be self - evident ; the employment of these resources being , like those above - mentioned ... expressions , the crescendo for cases of rhetorical climax , the calando , deminuendo , morendo , & c . for decreasing ...
Page 20
... expression , which does not form part of our musical terminology . There is still a cer- tain vagueness in the usual directions as to the positive degree of force intended , many of the terms being absolutely relative ; but we should ...
... expression , which does not form part of our musical terminology . There is still a cer- tain vagueness in the usual directions as to the positive degree of force intended , many of the terms being absolutely relative ; but we should ...
Page 21
... expression in the countenance , but on account of the charming fidelity in the imitation of the Brussels lace , the truth in the representation of a china basin , or a copper fish - kettle . A purely imi- tative piece of Music ...
... expression in the countenance , but on account of the charming fidelity in the imitation of the Brussels lace , the truth in the representation of a china basin , or a copper fish - kettle . A purely imi- tative piece of Music ...
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Common terms and phrases
actors admiration Ali Pacha animal appear artist beauty Béranger bright land called character Cockney colouring court Court of Chancery dćmon death delight effect expression fancy favour feeling Fonthill Abbey France French friends Galicia gallery give habit hand hath Hayley head heart honour human imagination Jack Juniper King labour lady less light live London look Lord Lord Wellesley Louis XI manner Marco Botzari marriage matter ment mind moral Napoleon nature never night noble o'er object observed once painted passed passion perfect person Petworth picture pleasure poet possess present racter reader rich Saint scarcely scene seems seen sense Seville sing society song soul spirit taste thee thing thou thought tion Titian truth Turgesius turn voice whole writers young youth
Popular passages
Page 113 - It was on the day, or rather night, of the 27th of June 1787, between the hours of eleven and twelve, that I wrote the last lines of the last page, in a summer-house in my garden. After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains. The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters, and all nature was silent.
Page 539 - O'er-run and trampled on: then what they do in present, Though less than yours in past, must o'ertop yours; For time is like a fashionable host That slightly shakes his parting guest by the hand, And, with his arms outstretch'd, as he would fly, Grasps in the comer: welcome ever smiles, And farewell goes out sighing.
Page 160 - Far down, and shining through their stillness lies ! Thou hast the starry gems, the burning gold, Won from ten thousand royal argosies ! — . Sweep o'er thy spoils, thou wild and wrathful main...
Page 41 - Ye winds that have made me your sport, Convey to this desolate shore Some cordial endearing report Of a land I shall visit no more. My friends, do they now and then send A wish or a thought after me ? O tell me I yet have a friend, Though a friend I am never to see.
Page 177 - Say, Father Thames, for thou hast seen Full many a sprightly race Disporting on thy margent green The paths of pleasure trace; Who foremost now delight to cleave With pliant arm, thy glassy wave? The captive linnet which enthral? What idle progeny succeed To chase the rolling circle's speed, Or urge the flying ball?
Page 540 - High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time. One touch of nature makes the whole world kin...
Page 264 - In saffron robe, with taper clear, And pomp, and feast, and revelry, With mask, and antique pageantry; Such sights as youthful poets dream On summer eves by haunted stream.
Page 229 - Turk: false of heart, light of ear, bloody of hand; hog in sloth, fox in stealth, wolf in greediness, dog in madness, lion in prey.
Page 160 - Give back the lost and lovely! — those for whom The place was kept at board and hearth so long! The prayer went up through midnight's breathless gloom, And the vain yearning woke 'midst festal song!
Page 273 - Go, let oblivion's curtain fall Upon the stage of men, Nor with thy rising beams recall Life's tragedy again. Its piteous pageants bring not back, Nor waken flesh, upon the rack Of pain anew to writhe ; Stretch'd in disease's shapes abhorr'd, Or mown in battle by the sword, Like grass beneath the scythe.