Photography: A Critical IntroductionLiz Wells Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Written especially for students in higher education and for introductory college courses, this fully revised edition provides a coherent introduction to the nature of photographic seeing. Individual chapters cover:
This revised and updated fifth edition includes:
Contributors: Michelle Henning, Patricia Holland, Derrick Price, Anandi Ramamurthy and Liz Wells. |
Contents
Introduction | 1 |
debates historically and now | 9 |
photography out and about | 75 |
personal photographs and popular photography | 133 |
photography and the human body | 189 |
photography and commodity culture | 231 |
photography as art | 289 |
Afterword | 355 |
Glossary | 359 |
From analogue to digital | 367 |
Photography archives | 369 |
375 | |
401 | |
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Common terms and phrases
advertising aesthetic American appear archives argued artists associated attention became become body British camera celebrity central century chapter collection commodity communication concerned consider constructed contemporary context continue create critical cultural debates described desire developed discussion documentary early effect emphasis essay established example exhibition experience explore fact fashion Figure focus gallery groups human ideas identity illustrated imagery images important individual industrial influence instance interest issues kind landscape lives London looking magazine material meaning medium movement Museum nature notes objects offer original painting particular photographs political possible practices present Press produced published questions reality record reference reflect relation relationship representation represented seen sense social space specific street suggests taken theory understanding University visual women writing