The New Encyclopaedia Britannica, Volume 15 |
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Page 456
In the 1920s an assemblage of painters called the Group of Seven sought to
develop a national form of painting, taking their inspiration from the Canadian
landscape and the work in particular of the Canadian landscape painter Tom
Thomson.
In the 1920s an assemblage of painters called the Group of Seven sought to
develop a national form of painting, taking their inspiration from the Canadian
landscape and the work in particular of the Canadian landscape painter Tom
Thomson.
Page 730
Traces of painting show Săsânian and Indian influences in the rock-hewn niche
behind the earlier Buddha. Regardless of Manichaean influence, Săsânian
elements prevailed at Bămián between the 4th and 6th centuries. At Düktar-e ...
Traces of painting show Săsânian and Indian influences in the rock-hewn niche
behind the earlier Buddha. Regardless of Manichaean influence, Săsânian
elements prevailed at Bămián between the 4th and 6th centuries. At Düktar-e ...
Page 734
Its planar intricacies reveal a new and vital aspect of Nepalese painting, an
immediacy of emotion and action of its protagonists, the figures of which are
placed on an opaque, velvety ground. The colours of these book illustrations and
scrolls ...
Its planar intricacies reveal a new and vital aspect of Nepalese painting, an
immediacy of emotion and action of its protagonists, the figures of which are
placed on an opaque, velvety ground. The colours of these book illustrations and
scrolls ...
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Contents
CONTENTS BIRDS 113 BIRTH CONTROL | 113 |
BISMARCK | 121 |
BLOOD | 125 |
Copyright | |
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