White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
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Page 18
... look slightly like Oscar Wilde , was purchased by Ellen Terry for five pounds , and thenceforth adorned her Chelsea home , as did another the walls of Ros- setti's study at Endsleigh Garden , for a quarter of a century — a long time for ...
... look slightly like Oscar Wilde , was purchased by Ellen Terry for five pounds , and thenceforth adorned her Chelsea home , as did another the walls of Ros- setti's study at Endsleigh Garden , for a quarter of a century — a long time for ...
Page 30
... look fierce and wrinkle my brows . Looking into my eyes , even a miser would give up all his horde . . . . They would never frighten a hard - boiled egg Chinese necromancer and distributor of poisons to such an extent that he would lose ...
... look fierce and wrinkle my brows . Looking into my eyes , even a miser would give up all his horde . . . . They would never frighten a hard - boiled egg Chinese necromancer and distributor of poisons to such an extent that he would lose ...
Page 138
... look at an adver- tisement . They talked of a wrestler , a geisha , an actor , or the inmate of a house of pleasure , but not about notan , the judicial use of black and the harmonious juxtaposition of colors . In nature , there is ...
... look at an adver- tisement . They talked of a wrestler , a geisha , an actor , or the inmate of a house of pleasure , but not about notan , the judicial use of black and the harmonious juxtaposition of colors . In nature , there is ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
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accepted action American appears artists beautiful become believe better century color coming continue critic dance dark developed doubt entire epigrams esthetic everything existence experience expression eyes fashion feel fighting figure followed force frequently genius German give grow hand Hartmann human hundred idea ideal individual interests invention Japanese John labor lecture less light literary live look machine masses material matter means mechanism mind moral motion move movement nature never once original painters painting Paris perfect perform picture play poets practical produce published race remain Sadakichi social society stage stand stars surely things thought thousand tion true turn universal Whitman woman women wonderful writing wrote York young