White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
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Page 90
... light , from light to darkness , and again , to light , to the light of lights . Critic Fin de Siècle No Sadakichi's 1894 Defense of His Drama , Christ Chapter 207 , Section 15 and 16 , Statutes of the Massachusetts Law An Object Lesson ...
... light , from light to darkness , and again , to light , to the light of lights . Critic Fin de Siècle No Sadakichi's 1894 Defense of His Drama , Christ Chapter 207 , Section 15 and 16 , Statutes of the Massachusetts Law An Object Lesson ...
Page 136
... light produced by a combination of their colors when separate . Suddenly the stars grow larger and larger , the smaller ones disappearing behind the larger , until a few dozens have reached the diameter of 50 yards , who in turn repeat ...
... light produced by a combination of their colors when separate . Suddenly the stars grow larger and larger , the smaller ones disappearing behind the larger , until a few dozens have reached the diameter of 50 yards , who in turn repeat ...
Page 148
... light parties , the new era was ushered in , and the kerosene lamp was the last harmonizer of light and darkness . As it went slowly out of fashion , the reign of half - and - quarter tones , or in other words , the reign of light , set ...
... light parties , the new era was ushered in , and the kerosene lamp was the last harmonizer of light and darkness . As it went slowly out of fashion , the reign of half - and - quarter tones , or in other words , the reign of light , set ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
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accepted action American appears artists beautiful become believe better century color coming continue critic dance dark developed doubt entire epigrams esthetic everything existence experience expression eyes fashion feel fighting figure followed force frequently genius German give grow hand Hartmann human hundred idea ideal individual interests invention Japanese John labor lecture less light literary live look machine masses material matter means mechanism mind moral motion move movement nature never once original painters painting Paris perfect perform picture play poets practical produce published race remain Sadakichi social society stage stand stars surely things thought thousand tion true turn universal Whitman woman women wonderful writing wrote York young