White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
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Page 10
... individual , is the aim of the artist . They are the storytellers of some foreign land which they alone have seen and which they alone can depict for the benefit of others . To listen to the inner voice , to be true to themselves , to ...
... individual , is the aim of the artist . They are the storytellers of some foreign land which they alone have seen and which they alone can depict for the benefit of others . To listen to the inner voice , to be true to themselves , to ...
Page 53
... individual do ? I advise myself like this : Do what you like and what you can do best . Try and be more of an individual . Influence stagnant crowd - thinking and mass- meeting mentality . Don't bother too much about others , but give ...
... individual do ? I advise myself like this : Do what you like and what you can do best . Try and be more of an individual . Influence stagnant crowd - thinking and mass- meeting mentality . Don't bother too much about others , but give ...
Page 105
... individual battle - ax . If your urge for information manages to wade through all these schemes of government , you will learn why practical politicians take so little stock in them , unless they are the chosen agents of these schemes ...
... individual battle - ax . If your urge for information manages to wade through all these schemes of government , you will learn why practical politicians take so little stock in them , unless they are the chosen agents of these schemes ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
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accepted action American appears artists beautiful become believe better century color coming continue critic dance dark developed doubt entire epigrams esthetic everything existence experience expression eyes fashion feel fighting figure followed force frequently genius German give grow hand Hartmann human hundred idea ideal individual interests invention Japanese John labor lecture less light literary live look machine masses material matter means mechanism mind moral motion move movement nature never once original painters painting Paris perfect perform picture play poets practical produce published race remain Sadakichi social society stage stand stars surely things thought thousand tion true turn universal Whitman woman women wonderful writing wrote York young