White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
From inside the book
Results 1-3 of 15
Page ix
... critic , he was the most astute of his time in America , and spotted the right people , from Winslow Homer and Ryder to Marin , Maurer , and Weber , long before anybody else . Long before Stieglitz , Sadakichi was talking about ...
... critic , he was the most astute of his time in America , and spotted the right people , from Winslow Homer and Ryder to Marin , Maurer , and Weber , long before anybody else . Long before Stieglitz , Sadakichi was talking about ...
Page x
Sadakichi Hartmann. old age , is startling . As an art critic , Sadakichi was a disciple of Meier - Graefe , the man who established post - impressionist painters internationally . As a literary critic , mostly of Georg Brandes and Jules ...
Sadakichi Hartmann. old age , is startling . As an art critic , Sadakichi was a disciple of Meier - Graefe , the man who established post - impressionist painters internationally . As a literary critic , mostly of Georg Brandes and Jules ...
Page xxi
... critics of his period , Hartmann's reputa- tion as a critic reached its peak shortly before World War I. He was heavily in demand as a lecturer and judge at art shows and photographic exhibitions . He had finally achieved a mea- sure of ...
... critics of his period , Hartmann's reputa- tion as a critic reached its peak shortly before World War I. He was heavily in demand as a lecturer and judge at art shows and photographic exhibitions . He had finally achieved a mea- sure of ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
15 other sections not shown
Other editions - View all
Common terms and phrases
accepted action American appears artists beautiful become believe better century color coming continue critic dance dark developed doubt entire epigrams esthetic everything existence experience expression eyes fashion feel fighting figure followed force frequently genius German give grow hand Hartmann human hundred idea ideal individual interests invention Japanese John labor lecture less light literary live look machine masses material matter means mechanism mind moral motion move movement nature never once original painters painting Paris perfect perform picture play poets practical produce published race remain Sadakichi social society stage stand stars surely things thought thousand tion true turn universal Whitman woman women wonderful writing wrote York young