White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
From inside the book
Results 1-3 of 20
Page 55
... believe , which was supposed to enable one to compose a symphony by mathematical calculation without knowing any- thing about music . I have not the slightest doubt that it could be done , but I want to be excused from hearing it . The ...
... believe , which was supposed to enable one to compose a symphony by mathematical calculation without knowing any- thing about music . I have not the slightest doubt that it could be done , but I want to be excused from hearing it . The ...
Page 64
... believe in the in- trinsic goodness of humanity . For if all were over after we have drawn our last breath , then those in power today , the profiteers and exploiters of human society , are in the right . If there is no other life , why ...
... believe in the in- trinsic goodness of humanity . For if all were over after we have drawn our last breath , then those in power today , the profiteers and exploiters of human society , are in the right . If there is no other life , why ...
Page 69
... believe that women should enjoy the same privileges as men , and I believe the majority of intelligent men endorse that part of their program . The Philistine selfish declamations of the male sex about the natural sphere of woman and ...
... believe that women should enjoy the same privileges as men , and I believe the majority of intelligent men endorse that part of their program . The Philistine selfish declamations of the male sex about the natural sphere of woman and ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
15 other sections not shown
Other editions - View all
Common terms and phrases
accepted action American appears artists beautiful become believe better century color coming continue critic dance dark developed doubt entire epigrams esthetic everything existence experience expression eyes fashion feel fighting figure followed force frequently genius German give grow hand Hartmann human hundred idea ideal individual interests invention Japanese John labor lecture less light literary live look machine masses material matter means mechanism mind moral motion move movement nature never once original painters painting Paris perfect perform picture play poets practical produce published race remain Sadakichi social society stage stand stars surely things thought thousand tion true turn universal Whitman woman women wonderful writing wrote York young