White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
From inside the book
Results 1-3 of 8
Page ix
... accepted at his own evaluation , that of an equal . Since he was one of the great conversationalists of the time , once he got in he almost always was so accepted . Everybody knows Gertrude Stein's remark that Ezra Pound was an ...
... accepted at his own evaluation , that of an equal . Since he was one of the great conversationalists of the time , once he got in he almost always was so accepted . Everybody knows Gertrude Stein's remark that Ezra Pound was an ...
Page xix
... accepted on the continent . In the same year , Hartmann published his symbolist drama Christ , a prose poem that Huneker termed " absolutely the most daring of all decadent productions . " This work with its lyrical paean to man's ...
... accepted on the continent . In the same year , Hartmann published his symbolist drama Christ , a prose poem that Huneker termed " absolutely the most daring of all decadent productions . " This work with its lyrical paean to man's ...
Page 145
... accepted as the agencies of motion , of analytical and practical dynam- ics . I am not prepared to criticize this hypothesis . I maintain , however , that in art invention just the opposite occurs . Art creation operates with lavish ...
... accepted as the agencies of motion , of analytical and practical dynam- ics . I am not prepared to criticize this hypothesis . I maintain , however , that in art invention just the opposite occurs . Art creation operates with lavish ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
15 other sections not shown
Other editions - View all
Common terms and phrases
accepted action American appears artists beautiful become believe better century color coming continue critic dance dark developed doubt entire epigrams esthetic everything existence experience expression eyes fashion feel fighting figure followed force frequently genius German give grow hand Hartmann human hundred idea ideal individual interests invention Japanese John labor lecture less light literary live look machine masses material matter means mechanism mind moral motion move movement nature never once original painters painting Paris perfect perform picture play poets practical produce published race remain Sadakichi social society stage stand stars surely things thought thousand tion true turn universal Whitman woman women wonderful writing wrote York young