White Chrysanthemums; Literary Fragments and PronouncementsHerder and Herder, 1971 - 163 pages |
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Page xvi
... Hartmann . When Sadakichi walked the desert at night , drawing up charts of the constel- lations , it was rumored ... Hartmann's last years were spent under the continual pres- sures of harassment and insults from townspeople . He lived ...
... Hartmann . When Sadakichi walked the desert at night , drawing up charts of the constel- lations , it was rumored ... Hartmann's last years were spent under the continual pres- sures of harassment and insults from townspeople . He lived ...
Page xvii
... Hartmann of achievement who prior to World War I reached his peak as a major critic and significant force in the modern American art movement . Now at last Hartmann's heirs have made it possible to lift the lid from the trunk at Catclaw ...
... Hartmann of achievement who prior to World War I reached his peak as a major critic and significant force in the modern American art movement . Now at last Hartmann's heirs have made it possible to lift the lid from the trunk at Catclaw ...
Page xxv
... Hartmann's primary interest for con- temporary readers , however , lies in his battle against the tech- nological ... Hartmann's diaries and notebooks have disappeared and are probably gathering dust in some forgotten attic or ...
... Hartmann's primary interest for con- temporary readers , however , lies in his battle against the tech- nological ... Hartmann's diaries and notebooks have disappeared and are probably gathering dust in some forgotten attic or ...
Contents
The Banner of Art | 3 |
Somewhat of a Pearl Fisher | 15 |
On Sadakichi | 23 |
Copyright | |
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accepted action American appears artists beautiful become believe better century color coming continue critic dance dark developed doubt entire epigrams esthetic everything existence experience expression eyes fashion feel fighting figure followed force frequently genius German give grow hand Hartmann human hundred idea ideal individual interests invention Japanese John labor lecture less light literary live look machine masses material matter means mechanism mind moral motion move movement nature never once original painters painting Paris perfect perform picture play poets practical produce published race remain Sadakichi social society stage stand stars surely things thought thousand tion true turn universal Whitman woman women wonderful writing wrote York young