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In the familiar peasant tongue,
That made men say,

“ Behold! once more
The pitying gods to earth restore
Theocritus of Syracuse !"
A Spanish Jew from Alicant
With aspect grand and grave was there;
Vender of silks and fabrics rare,
And attar of rose from the Levant.
Like an old Patriarch he appeared,
Abraham or Isaac, or at least
Some later Prophet or High-Priest;
With lustrous eyes, and olive-skin,
And, wildly tossed from cheeks and chiz,
The tumbling cataract of his beard.
His garments breathed a spicy scent
Of cinnamon and sandal blent,
Like the soft aromatic gales
That meet the mariner, who sails
Through the Moluccas, and the seas
That wash the shores of Celebes.
All stories that recorded are
By Pierre Alphonse he knew by heart,
And it was rumoured he could say
The Parables of Sandabar,
And all the Fables of Pilpay,
Or if not all, the greater part.
Well versed was he in Hebrew books,
Talmud and Targum, and the lore
Of Kabala; and evermore
There was a mystery in his looks;
His eyes seemed gazing far away,
As if in vision or in trance
He heard the solemn sackbut play,
And saw the Jewish maidens dance.
A Theologian, from the school
Of Cambridge on the Charles, was there;
Skilful alike with tongue and pen,
He preached to all men everywhere
The Gospel of the Golden Rule,
The New Commandment given to men,
Thinking the deed, and not the crted,
Would help us in our utmost need.
With reverent feet the earth he trod,
Nor banished nature from his plan,
But studied still with deep research
To build the Universal Church,
Lofty as is the love of God,
And ample as the wants of man.

A Poet, too, was there, whose verse
Was tender, musical, and terse;
The inspiration, the delight,
The gleam, the glory, the swift flight
Of thoughts so sudden, that they seem
The revelations of a dream,
All these were his; but with them came
No envy of another's fame;
He did not find his sleep less sweet
For music in some neighbouring street,
Nor rustling hear in every breeze
The laurels of Miltiades.
Honour and blessings on his head
While living, good report when dead,
Who, not too eager for renown,
Accepts, but does not clutch, the crown!
Last the Musician, as he stood
Illumined by that fire of wood;
Fair-haired, blue-eyed, his aspect blithe,
His figure tall and straight and lithe,
And every feature of his face
Revealing his Norwegian race;
A radiance, streaming from within,
Around his eyes and forehead beamed,
The Angel with the violin,
Painted

by Raphael, he seemed.
He lived in that ideal world
Whose language is not speech, but song;
Around him evermore the throng
Of elves and sprites their dances whirled;
The Strömkarl sang, the cataract hurled
Its headlong waters from the height;
And mingled in the wild delight
The scream of sea-birds in their flight,
The rumour of the forest trees,
The plunge of the implacable seas,
The tumult of the wind at night,
Voices of eld, like trumpets blowing,
Old ballads, and wild melodies
Through mist and darkness pouring forth,
Like Elivagar's river flowing
Out of the glaciers of the North.
The instrument on which he played
Was in Cremona's workshops made,
By a great master of the past,
Ere yet was lost the art divine;
Fashioned of maple and of pine,
That in Tyrolian forests vast
Had rocked and wrestled with the blast

Exquisite was it in design,
A marvel of the lutist's art,
Perfect in each minutest part;
And in its hollow chamber, thus,
The maker from whose hands it came
Had written his unrivalled name,
“Antonius Stradivarius."
And when he played, the atmosphere
Was filled with magic, and the ear
Caught echoes of that Harp of Gold,
Whose music had so weird a sound,
The hunted stag forgot to bound,
The leaping rivulet backward rolled,
The birds came down from bush and tree,
The dead came from beneath the sea,
The maiden to the harper's knee!
The music ceased; the applause was loud,
The pleased musician smiled and bowed;
The wood-fire clapped its hands of flame,
The shadows on the wainscot stirred,
And from the harpsichord there came
A ghostly murmur of acclaim,
A sound like that sent down at night
By birds of passage in their flight,
From the remotest distance heard.
Then silence followed; then began
A clamour for the Landlord's tale,-
The story promised them of old,
They said, but always left untold;
And he, although a bashful man,
And all his courage seemed to fail,
Finding excuse of no avail,
Yielded; and thus the story ran.

THE LANDLORD'S TALE.

PAUL REVERE'S RIDE. LISTEN, my children, and you shall hear Of the midnight ride of Paul Revere, On the eighteenth of April, in Seventy-five; Hardly a man is now alive Who remembers that famous day and year. He said to his friend, “If the British march By land or sea from the town to-night, Hang a lantern aloft in the belfry arch Of the North Church tower as a signal light,

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One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm.
Theu he said, “Good night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom-ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street,
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack-door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.
Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,-
Up the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, 66 All is well!"
A moment only he feels the spell
Of the place and the hour, and the secret drea 1
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay, -
A line of black that bends and floats
Op the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height
A glimmer, and then a gleam of light !
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns !
A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fieet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the oceau tides;
And under the alders, that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock,
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river fog,
That rises after the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When he came to the bridge in Concord town.

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