The New Moulton's Library of Literary Criticism, Volume 2Harold Bloom Cover title: The New Moulton's. Contains criticism of William Shakespeare from 1592 to the turn of the twentieth century. |
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Page 614
Harold Bloom. moulding every thing to itself ; it is passion modified by passion , by all the other feelings to which the individual is liable , and to which others are liable with him ; subject to all the fluctuations of caprice and ...
Harold Bloom. moulding every thing to itself ; it is passion modified by passion , by all the other feelings to which the individual is liable , and to which others are liable with him ; subject to all the fluctuations of caprice and ...
Page 866
... passion , in the audience , than any other drama . If Macbeth is the most perfect in the tragic action of the story , the most perfect in tragic passion is Othello . There is nothing to determine unhappiness to the lives of the two prin ...
... passion , in the audience , than any other drama . If Macbeth is the most perfect in the tragic action of the story , the most perfect in tragic passion is Othello . There is nothing to determine unhappiness to the lives of the two prin ...
Page 939
... passion in Othello is exceedingly different from that of Macbeth . In Macbeth there is a violent struggle between opposite feelings , between ambition and the stings of conscience , almost from first to last : in Othello , the doubtful ...
... passion in Othello is exceedingly different from that of Macbeth . In Macbeth there is a violent struggle between opposite feelings , between ambition and the stings of conscience , almost from first to last : in Othello , the doubtful ...
Contents
As You Like | 780 |
Much Ado about Nothing | 786 |
The Merry Wives of Windsor | 795 |
Copyright | |
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