The New Moulton's Library of Literary Criticism, Volume 2Harold Bloom Cover title: The New Moulton's. Contains criticism of William Shakespeare from 1592 to the turn of the twentieth century. |
From inside the book
Results 1-3 of 86
Page 615
... language and versification are like the rest of him . He has a magic power over words : they come winged at his bidding ; and seem to know their places . They are struck out at a heat , on the spur of the occasion , and have all the ...
... language and versification are like the rest of him . He has a magic power over words : they come winged at his bidding ; and seem to know their places . They are struck out at a heat , on the spur of the occasion , and have all the ...
Page 632
... language which is perhaps the noblest vehicle of poetic thought that ever existed . Had Shakespeare been born fifty years earlier , he would have been cramped by a book - language not yet flexible enough for the demands of rhythmic ...
... language which is perhaps the noblest vehicle of poetic thought that ever existed . Had Shakespeare been born fifty years earlier , he would have been cramped by a book - language not yet flexible enough for the demands of rhythmic ...
Page 776
... language , are , throughout , the leading figures in the fore- ground ; one of them , in particular , being more carefully de- picted than the others , and in himself very noticeable — a portrait with somewhat puzzling manner and ...
... language , are , throughout , the leading figures in the fore- ground ; one of them , in particular , being more carefully de- picted than the others , and in himself very noticeable — a portrait with somewhat puzzling manner and ...
Contents
As You Like | 780 |
Much Ado about Nothing | 786 |
The Merry Wives of Windsor | 795 |
Copyright | |
14 other sections not shown
Common terms and phrases
action actor admiration Æschylus appears Bacon beauty Ben Jonson Brutus Cæsar called character comedy Comedy of Errors comic Coriolanus critics death drama dramatist dream Duke effect English expression eyes Falstaff fancy feel genius give Hamlet hand hath heart Henry human imagination Johnson Juliet Julius Cæsar King language Lear learned less living Lord Love's Labour's Lost lovers Macbeth matter means Measure for Measure Midsummer Night's Dream mind moral nature never night noble Othello passages passion perhaps persons philosophy piece Plautus play poem poet poetic poetry Prince reader reason Richard Richard II Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sonnets soul speak speare speare's speech spirit stage story Stratford style sweet thing thou thought tion tragedy true truth Twelfth Night verse whole William Shakespeare words write youth