Our attention is arrested by the address "To the Evening Star." The force with which, in certain dispositions of the soul, the contemplation of the never-changing brightness of the starry firmament, draws our reflections to the Being who formed it, and on to his brighter abode, has not escaped any man whose heart is not corrupted, and his understanding brutalized. To our mind, nothing more triumphantly overthrows all the pretensions of Chance in the formation of "this goodly frame," than to look steadfastly at the full-orb'd moon. Just as thou art now, and where thou art, so wast thou a thousand ages ago; unwasted in splendour; unchanged, even by an instant, in thy course, the same moment that brings thee to that spot now, brought thee there from the beginning, and will bring thee there for unknown ages to come. How sublime is this unvarying uniformity of motion; this immeasurable duration and identity of existence! Was this the work of what men, most unmeaningly, call chance? Could the fortuitous assemblage of floating atoms produce a body of such enduring and unerring constancy; whose every motion is governed by a power that never falters nor fails? Star of evening, mild and bright, I love thy calm and holy ray; It seems so gently to invite My soul to heaven, and point the way: And dearer than a world of light. We would willingly transcribe the whole of "The Shipwrecked," if our space would allow. We shall make some extracts. The awful situation of the only survivor of the storm's fury; the variety of his terrors and depth of his despair, while clinging to a broken mast, tossed on the wild waters; are imagined and described in a fine spirit of poetry; particularly the incident of the dead body of one of his comrades floating to his side, and continuing there, as if unwilling to be forsaken by him. We also notice the new species of dismay, produced by the calm, which succeeded the storm. After all have perished but himself, the sufferer proceeds: At length awakes: The tempest, when the day was gone, But yet my struggles were not done:- A comrade's body to my side, Had bravely stemmed the dashing tide. His spirit had not left him-he But when his cold hand touch'd my cheek, And once it flapped me with its wing: That I must be its prey I knew, Its yellow beak, or hear its cry Telling me what I soon must be; I moaned, and wept, and feared to die. My comrade's corpse was by my side. [March, exhausted, he falls into a sleep or swoon, and then Returning reason came at last, And bade returning hope appear: That remnant of the broken mast, And my dead comrade-both were near; Not floating o'er the billows now, I knelt, and murmured praise to Him, Strength to the spirit and the limb! There is much more in this volume to instruct and amuse; but we are warned, by the number of our pages, that we must here part with it. We shall introduce one more of these charming productions for the present year, published, also, in London, under the title of" The Literary Souvenir." It is highly distinguished, as well for its literary merit, as for the excellence of its workmanship in printing, engraving, and all its ornamental parts. It is a fair rival to the "Forget Me Not" in every respect; and, perhaps, in some of the plates, superior to it. We shall offer to our readers two specimens of its poetical effusions, without comment; their beauties are at once perceptible, and will be their best recommendation. The prose part of its contents may, also, be generally commended. The first article, entitled the Contented Man, from the pen of Washington Irving, is a fine sample of his best manner. TO A DEAD EAGLE. It is a desolate eve; Dim, cheerless is the scene my path around; With vigorous talons clenched, and bright eye shut, Preserving yet in look thy tameless mood, As if, though stilled by death, thy heart were unsubdued. Did lapsing years o'ercome, and leave thee weak,— 'Mid rack and floating cloud Did scythe-winged lightning flash athwart thy brain, Lifeless thou liest outstretched beside the desert stone. High on the herbless rock thou 'wok'st to birth, Warm round thy heart, when first thy wings essayed, And, far receded down, the dim material world! Thine had it been from rack-veiled eyrie high The terror-stricken dove Cowered down amid the oak wood's central shade; And o'er moist earth glowed morning's rosy star, And, oh! how grand to soar Beneath the full moon, on strong pinion driven; And is thy curbless span of freedom o'er? Hark to thy regal cry? While 'spiring o'er the stream-girt vales, thy form, Betwixt thee and dim earth the zig-zag lightnings flee! Thy birthright the tall cliff and sky beyond: The slave and freeman must alike obey: Pride reels; and Power, that kept a world in awe, The dreadful summons hears;-and where are they? Vanished like night-dreams from the sleeper's mind, Dusk 'mid dissolving day, or thunder on the wind! BUCKFASTLEIGH ABBEY. Sweet pastoral vale!-When hope was young, Ere this world's toils or cares had flung A shade of sadness on my brow, A loiterer in thy sylvan bowers, I whiled away uncounted hours, And, by thine own sequestered Dart, Wild river! as it lapsed along In glory on its winding way, I came when wintry winds were high, Thy skies were dim, thy trees were bare; A change was on my aching heart, As dark as that I kenned in thee; I turned to what we both had been!- And thou art now a fairy dream, To stir the source of sweetest tears; Oh might my toil-worn spirit close I would not ask more perfect bliss * We have already noticed the usefulness of these annual offerings, in the encouragement and employment they give to modest and meritorious authors, and to ingenious and skilful artists. We do not pretend to exactness in our calculation, but believe we may safely affirm, that such a work as the "Forget Me Not," must have distributed, among men of genius and taste, many thousand dollars; and so of the "Literary Souvenir," the "Amulet;" and "Friendship's Offering;" all of the same character. The spirit of enterprise and emulation which animates our own publishers, has not failed to exert itself on this subject; and while we do not affirm that their productions are quite equal to those of London, we do not hesitate to say, they are respectable imitations, and press close on the footsteps of their prototypes. "The Memorial," published at Boston, in its paper, typography, and literary matter, both poetry and prose, is entitled to high commendation. Its material deficiency is in the engravings; which are but few and in general coarsely executed. Of the "Atlantic Souvenir," we forbear to say more than striat justice demands. It has been prepared with the freest liberality of expenditure, and is fully worthy of its cost. The plates are the works of our best artists at their best prices; the paper and printing excellent, and the text all original, full of interest |