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INTO THE

History, Authenticity, & Characteristics

OF THE

SHAKSPEARE PORTRAITS,

IN WHICH THE CRITICISMS OF

MALONE, STEEVENS, BOADEN, & OTHERS,

Are Examined, Confirmed, or Refuted.

EMBRACING THE FELTON, THE CHANDOS,

THE DUKE OF SOMERSET's PICTURES,

THE DROESHOUT PRINT,

AND THE

MONUMENT OF SHAKSPEARE,

AT STRATFORD;

Together with an Exposé of the spurious Pictures and Prints.

BY ABRAHAM WIVELL,

PORTRAIT PAINTER.

London:

PUBLISHED BY THE AUTHOR, 40, CASTLE STREET EAST,
OXFORD STREET,

AND SOLD BY ALL BOOKSELLERS

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PRINTED BY W. SMITH AND CO. KING STREET, LONG ACRE.

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Advertisement. to the Preface of Mr. Richardson's Proposals,

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Remarks on the Droeshout's and Marshall's Engravings.......
Cooper's Engraving of the Chandos Picture

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DEDICATION.

SIR,

IN compiling the few following pages on the Shakspeare Portraits, it has often recurred to my mind, that I am indebted to you as the original cause of such an undertaking, which would certainly have never been proceeded in had you not, in the most flattering manner, encouraged me in perfecting a drawing from the Monumental Bust of the immortal Bard. But to single this circumstance as the only instance of the benefits I have received from you, would be a breach of justice, as your encouragement of, and liberality to me, in other respects, far exceeds that of any other individual. With these sentiments and feelings of gratitude, I humbly dedicate this work to you, and have the

Honor to be,

SIR,

Your obliged and obedient Servant,

A. WIVELL,

40, Castle Street, East, London.

TO JOHN CORDY, Esq. &c. &c. &c.

Brighton.

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