Characteristics of English Poets, from Chaucer to Shirley |
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Page v
... light as possible the characteristics of the several poets within the period chosen . And as a secondary object to this , I have endeavoured to trace how far each poet was in- fluenced by his literary predecessors and his contemporaries ...
... light as possible the characteristics of the several poets within the period chosen . And as a secondary object to this , I have endeavoured to trace how far each poet was in- fluenced by his literary predecessors and his contemporaries ...
Page 14
... light on the natural development of Chaucer's genius . There is a certain advance from the " Book of the Duchess " to the " House of Fame " ; but I do not think that that advance is explained by supposing French influence to have ...
... light on the natural development of Chaucer's genius . There is a certain advance from the " Book of the Duchess " to the " House of Fame " ; but I do not think that that advance is explained by supposing French influence to have ...
Page 21
... Don Juan ' is the peculiarly appropriate metre of the light epic , while the couplet is the predestined vehicle of dramatic comedy . In the theatre the ear cannot wait for the close of HIS LANGUAGE , METRES , AND IMAGERY . 21.
... Don Juan ' is the peculiarly appropriate metre of the light epic , while the couplet is the predestined vehicle of dramatic comedy . In the theatre the ear cannot wait for the close of HIS LANGUAGE , METRES , AND IMAGERY . 21.
Page 22
... light narrative intended to be read , longer suspense is permissible , while at the same time the nature of the subject forbids intricacy ; and ottava rima , with its simple even structure , seems to answer the purpose about as exactly ...
... light narrative intended to be read , longer suspense is permissible , while at the same time the nature of the subject forbids intricacy ; and ottava rima , with its simple even structure , seems to answer the purpose about as exactly ...
Page 28
... light ; A sweetë smell anon the ground up gave And Arcita anon his hand up have , And more incense into the fire he cast , With other ritës mo , and at the last The statue of Mars began his hauberk ring , And with that sound he heard a ...
... light ; A sweetë smell anon the ground up gave And Arcita anon his hand up have , And more incense into the fire he cast , With other ritës mo , and at the last The statue of Mars began his hauberk ring , And with that sound he heard a ...
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Common terms and phrases
admiration beauty blank verse Canterbury Canterbury Tales character Chaucer colour comedy Coriolanus Court Crown 8vo death delight doth drama dramatist Elizabethan English expression eyes Faery Faery Queen fair fancy favour Fcap feeling flowers French genius Gorboduc Greene Hamlet hath heart heaven Henry Hero and Leander heroes honour humour Illustrations imagination imitation Italian John Jonson King Knight's Tale lady language less living look Lord lovers Marlowe mind Mirror for Magistrates moral nature never night passages passion personages Phaeton's plays poem poet poet's poetical poetry post 8vo Prince probably Queen reader revenge rhymes Richard Richard II romance satire scene Scotland seems Shakespeare Shakespeare's sonnets shepherds song sonnets soul Spenser spirit stage stanza Stratford supposed Surrey Surrey's sweet tale Tamburlaine thee things thou tion Tottel's Miscellany tragedy tragic translation Trouvères verse vols words write written wrote Wyat youth
Popular passages
Page 210 - Coral is far more red than her lips' red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound...
Page 212 - When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme, In praise of ladies dead, and lovely knights ; Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Page 278 - Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens; and the crow Makes wing to the rooky wood: Good things of day begin to droop and drowse; Whiles night's black agents to their preys do rouse.
Page 308 - Haste me to know't, that I, with wings as swift As meditation or the thoughts of love, May sweep to my revenge.
Page 289 - Ham. Sir, in my heart there was a kind of fighting, That would not let me sleep : methought I lay Worse than the mutines in the bilboes.
Page 13 - Is. 6d. A Manual of Palaeontology, for the Use of Students. With a General Introduction on the Principles of Palaeontology.
Page 278 - O, for a muse of fire, that would ascend The brightest heaven of invention ! A kingdom for a stage, princes to act, And monarchs to behold the swelling scene...
Page 115 - European expansion at the end of the fifteenth century and the beginning of the sixteenth.
Page 214 - The warrant I have of your honourable disposition, not the worth of my untutor'd lines, makes it assured of acceptance. What I have done is yours; what I have to do is yours; being part in all I have, devoted yours.
Page 7 - Memoir of Sir William Hamilton, Bart., Professor of Logic and Metaphysics in the University of Edinburgh. By Professor VEITCH of the University of Glasgow. 8vo, with Portrait, 18s.