Exploring LanguageGary Goshgarian Now in its tenth edition, this marketleading language reader continues to feature thoughtprovoking readings that explore the various interconnections between language and American society. For over 25 years, this engaging reader has challenged individuals to critically examine how language affects and constructs culture and how culture constructs and affects language. This tenth edition maintains the integrity of past editions, while reflecting the new and fascinating language issues that exist in today's culture. Provocative selections are organized around nine major language areas, and then broken into stimulating sub-themes like political correctness, hate speech, language and the presidency, and censorship on campus, inviting readers to debate current social and cultural issues that are inseparable from language. Individuals interested in studying how language affects and constructs culture and how culture constructs and affects language. |
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Page 340
... cartooning around today , to my eye , can be found on the pages of The New Yorker . Whatever the reason — perhaps due to Tina Brown ordering her cartoonists to think topical , or the ascent of Art ( Maus ) Spiegelman as art editor - the ...
... cartooning around today , to my eye , can be found on the pages of The New Yorker . Whatever the reason — perhaps due to Tina Brown ordering her cartoonists to think topical , or the ascent of Art ( Maus ) Spiegelman as art editor - the ...
Page 341
... cartoonists may be a dying breed , either by forces beyond their control or by their own hands . Yet the way we treat our artists , our exposed nerve endings , reveals something essential about ourselves and our nation . A great ...
... cartoonists may be a dying breed , either by forces beyond their control or by their own hands . Yet the way we treat our artists , our exposed nerve endings , reveals something essential about ourselves and our nation . A great ...
Page 350
... cartoonists faced an even more daunting challenge how to sensitively , adequately , and succinctly draw what a nation was feeling . In the next piece , James Ricci describes how some editorial cartoonists responded with pen and ink ...
... cartoonists faced an even more daunting challenge how to sensitively , adequately , and succinctly draw what a nation was feeling . In the next piece , James Ricci describes how some editorial cartoonists responded with pen and ink ...
Contents
Thinking and Reading Critically | 1 |
Breaking Silences | 25 |
A Brief History of English | 32 |
Copyright | |
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accept action advertising agree American appeared argument asked audience become believe better bilingual called cartoon cause claim communication consider conversation correct course CRITICALLY culture describe discussion effective English essay example experience Explain expression fact feel freedom give hand hear human humor ideas images important individual issue kind language less linguistic listen live look mean never paragraph permission person political present president problem question readers reason response rules sense sentence simply social society sound speak speech story style symbols talk television tell term things thought tion turn understand United University voice woman women words writing written