From Gaelic to Romantic: Ossianic Translations
Fiona Stafford, Fiona J. Stafford, Howard Gaskill
Rodopi, 1998 - Literary Criticism - 264 pages
The appearance of James Macpherson's Ossian in the 1760s caused an international sensation. The discovery of poetic fragments that seemed to have survived in the Highlands of Scotland for some 1500 years gripped the imagination of the reading public, who seized eagerly on the newly available texts for glimpses of a lost primitive world. That Macpherson's versions of the ancient heroic verse were more creative adaptations of the oral tradition than literal translations of a clearly identifiable original may have exercised contemporary antiquarians and contributed eventually to a decline in the popularity of Ossian. Yet for most early readers, as for generations of enthusiastic followers, what mattered was not the accuracy of the translation, but the excitement of encountering the primitive, and the mood engendered by the process of reading. The essays in this collection represent an attempt by late twentieth-century readers to chart the cultural currents that flowed into Macpherson's texts, and to examine their peculiar energy. Scholars distinguished in the fields of Gaelic, German, Irish, Scottish, French, English and American literature, language, history and cultural studies have each contributed to the exploration of Macpherson's achievement, with the aim of situating his notoriously elusive texts in a web of diverse contexts. Important new research into the traditional Gaelic sources is placed side by side with discussions of the more immediate political impetus of his poetry, while studies of the reception of Ossian in Scotland, Germany, France and England are part of the larger recognition of the cultural significance of Macpherson's work, and its importance to issues of fragmentation, liminality, colonialism, national identity, sensibility and gender.
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Page 36 - In such condition there is no place for industry, because the fruit thereof is uncertain, and consequently no culture of the earth, no navigation nor use of the commodities that may be imported by sea, no commodious building, no instruments of moving and removing such things as require much force, no knowledge of the face of the earth; no account of time, no arts, no letters, no society, and, which is worst of all, continual fear and danger of violent death, and the life of man solitary, poor, nasty,...
Page 170 - Their glory wither'd : as when heaven's fire Hath scathed the forest oaks or mountain pines, With singed top their stately growth, though bare, Stands on the blasted heath.
Page 5 - Lights of ships moved in the fairway — a great stir of lights going up and going down. And farther west on the upper reaches the place of the monstrous town was still marked ominously on the sky, a brooding gloom in sunshine, a lurid glare under the stars. "And this also," said Marlow suddenly, "has been one of the dark places of the earth.
Page 148 - I may venture to affirm of the rest of mankind that they are nothing but a bundle or collection of different perceptions, which succeed each other with an inconceivable rapidity, and are in a perpetual flux and movement.
Page 179 - Scarce images of life, one here, one there, Lay vast and edgeways ; like a dismal cirque Of Druid stones, upon a forlorn moor, When the chill rain begins at shut of eve, In dull November, and their chancel vault, The Heaven itself, is blinded throughout night.
Page 4 - Roger, infant children of the aforesaid, were also dead ana buried ; and that the dark, flat wilderness beyond the churchyard, intersected with dykes, and mounds, and gates, with scattered cattle feeding on it, was the marshes; and that the low, leaden line beyond, was the river; and that the distant savage lair from which the wind was rushing, was the sea; and that the small bundle of shivers fro wing afraid of it all and beginning to cry, was ip.
Page 96 - I am not yet so lost in lexicography as to forget that words are the daughters of earth, and that things are the sons of heaven. Language is only the instrument of science, and words are but the signs of ideas...
Page 148 - If any impression gives rise to the idea of self, that impression must continue invariably the same, through the whole course of our lives ; since self is supposed to exist after that manner. But there is no impression constant and invariable.