"The sun that overhangs yon moors, Out-spreading far and wide, Where hundreds labour to support And ev'ry time has added proofs O man! while in thy early years, Thy glorious youthful prime! Which tenfold force gives nature's law, Look not alone on youthful prime, But see him on the edge of life, With cares and sorrows worn; and want-oh! ill-match'd pair! Show man was made to mourn. A few seem favourites of fate, In pleasure's lap carest; Yet, think not all the rich and great Are likewise truly blest. But, oh! what crowds in every land, All wretched and forlorn! Thro' weary life this lesson learn That man was made to mourn. Many and sharp the num'rous ills Inwoven with our frame ! More pointed still we make ourselves, Regret, remorse, and shame! And man, whose heaven-erected face The smiles of love adorn, Man's inhumanity to man Makes countless thousands mourn! See yonder poor, o'erlabour'd wight, To give him leave to toil; Unmindful, though a weeping wife And helpless offspring mourn. If I'm design'd yon lordling's slave- E'er planted in my mind? Or why has man the will and power Yet, let not this too much, my son, Had there not been some recompense O Death! the poor man's dearest friend- Are laid with thee at rest! The great, the wealthy, fear thy blow, From pomp and pleasure torn! But, oh! a blest relief to those That weary-laden mourn. Several of the poems," Gilbert Burns observes, were produced for the purpose of bringing forward some favourite sentiment of the author. He used to remark to me, that he could not well conceive a more mortifying picture of human life than a man seeking work. In casting about in his mind how this sentiment might be brought forward, the elegy Man was made to mourn,' was composed.' An old Scottish ballad had some share in giving life and language to these emotions. I had an old granduncle," thus the Poet writes to Mrs. Dunlop, "with whom my mother lived a while in her girlish years. The good old man was long blind ere he died, during which time his highest enjoyment was to sit down and cry while my mother would sing the simple old song of The Life and Age of Man.' From the Poet's venerable mother, Mr. Cromek procured a copy of this composition; it commences thus : "Upon the sixteen hunder year Of God, and fifty-three, Frae Christ was born, who bought us dear, As writings testify; On January the sixteenth day, As I did lie alone, With many a sigh and sob did say, Ah, man was made to moan!" The pious minstrel proceeds to compare the life of man to the seasons-five years of his "course" are considered equivalent to one of the months : "Then in comes March that noble arch, With wholesome spring and air; The child doth spring to years fifteen, With visage fine and fair. So do the flowers, with softening showers, Ay spring up as we see; Yet ne'ertheless, remember this That one day we must die." April and May are prettily described: the succeeding month still better: "Then brave April doth sweetly smile, The child is then become a man "Then cometh May gallant and gay And for his life doth seek a wife "Then cometh June with pleasant tune, There are other and even closer resemblances between this antique strain and the "Man was made to mourn;" but all must concur in the opinion of Lockhart, that "whatever might be the casual idea that set the Poet to work, it is evident that he wrote from the habitual feelings of his own bosom." |