English Miscellany: A Symposium of History, Literature and the Arts, Volume 24British Council, 1974 - Art A symposium of history, literature and the arts. |
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Page 199
... Mill on the Floss , and to review what tragedy meant , the sad lot of the little man ( Amos Barton or Maynard Gilfil ) must have seemed incapable of bearing the terror as well as the pity which she attempts to evoke in The Mill on the ...
... Mill on the Floss , and to review what tragedy meant , the sad lot of the little man ( Amos Barton or Maynard Gilfil ) must have seemed incapable of bearing the terror as well as the pity which she attempts to evoke in The Mill on the ...
Page 217
... Mill on the Floss , but it is The Prelude which stands behind the novel , and George Eliot uses the poem mainly for the purposes of contrast . " School - Time " is the title of Wordsworth's second book ; George Eliot's second book deals ...
... Mill on the Floss , but it is The Prelude which stands behind the novel , and George Eliot uses the poem mainly for the purposes of contrast . " School - Time " is the title of Wordsworth's second book ; George Eliot's second book deals ...
Page 222
... mill itself , the symbolism is closely realistic , yet its very richness militates against the kind of definitive symbolic interpretation which one can make in the earlier novels . In The Mill on the Floss George Eliot first arrives at ...
... mill itself , the symbolism is closely realistic , yet its very richness militates against the kind of definitive symbolic interpretation which one can make in the earlier novels . In The Mill on the Floss George Eliot first arrives at ...
Contents
Contributors | 7 |
Giuseppe Brunetti Swift e la satira della scienza | 59 |
Viola Papetti Amor sacro e amor profano in alcuni romanzi set | 105 |
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