The Spatiality of the Novel |
From inside the book
Results 1-3 of 13
Page 60
... spiral , at first so gradual that direction cannot be ascertained as down or up , but eventually by its “ fissures " assuming an irreversible downward motion . Flaubert supplied the perfect image of this experience in the opening scene ...
... spiral , at first so gradual that direction cannot be ascertained as down or up , but eventually by its “ fissures " assuming an irreversible downward motion . Flaubert supplied the perfect image of this experience in the opening scene ...
Page 62
... spiral , life itself , gasping , for all the imagination may be worth , " Let there be dark . " In this way , as Gérard Genette notes , Frédéric is very different from Emma Bovary . While both have the capacity for dreaming , Frédéric ...
... spiral , life itself , gasping , for all the imagination may be worth , " Let there be dark . " In this way , as Gérard Genette notes , Frédéric is very different from Emma Bovary . While both have the capacity for dreaming , Frédéric ...
Page 65
... spiral . The use of a central perspec- tive " makes space appear as a pointed flow , entering the picture from the near sides and converging toward a mouth at the distance . " Flaubert's cube is compressed to the point of Frédéric ...
... spiral . The use of a central perspec- tive " makes space appear as a pointed flow , entering the picture from the near sides and converging toward a mouth at the distance . " Flaubert's cube is compressed to the point of Frédéric ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York