The Spatiality of the Novel |
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Page 29
... sense of space undoubt- edly is dominant over the sense of time in an individual's perceptive process . 36 Recent criticism in France of the novel and of language has demon- strated again the importance of spatiality in the novel . In ...
... sense of space undoubt- edly is dominant over the sense of time in an individual's perceptive process . 36 Recent criticism in France of the novel and of language has demon- strated again the importance of spatiality in the novel . In ...
Page 34
... sense end at the novel's conclusion not merely because the events are finished , with marriage and discovered sons , but because Bramble has been rescued from the misanthropy that dominated his life . The isolation of the form no longer ...
... sense end at the novel's conclusion not merely because the events are finished , with marriage and discovered sons , but because Bramble has been rescued from the misanthropy that dominated his life . The isolation of the form no longer ...
Page 69
... sense of back- ground or setting in the specialized sense of " dramatized in location , " is eminently spatial by this reliance on location . In contrast to place , scene is never anthropomorphized . Scene , even in a pictorial sense ...
... sense of back- ground or setting in the specialized sense of " dramatized in location , " is eminently spatial by this reliance on location . In contrast to place , scene is never anthropomorphized . Scene , even in a pictorial sense ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York