The Spatiality of the Novel |
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Page 112
... resulting from symmetry and asymmetry . Since rhythm is con- cerned with distances between elements , the " speed " of a ... result of function , materials , scale of object , and time , while sequence deals with the control of pas- sage ...
... resulting from symmetry and asymmetry . Since rhythm is con- cerned with distances between elements , the " speed " of a ... result of function , materials , scale of object , and time , while sequence deals with the control of pas- sage ...
Page 137
... result of uniting or merging such aspects ... but rather the result of their interaction which enhances one group of factors at the expense of another .... Second , the sensation of form in such a situation is always the sensation of ...
... result of uniting or merging such aspects ... but rather the result of their interaction which enhances one group of factors at the expense of another .... Second , the sensation of form in such a situation is always the sensation of ...
Page 139
... result of sur - signification can be represented by a simple scheme , for which one can resort again to rhetoric in its classic example : in the synechdoche sail = ship , there is a signifying word [ mot signifiant ] , sail , and an ...
... result of sur - signification can be represented by a simple scheme , for which one can resort again to rhetoric in its classic example : in the synechdoche sail = ship , there is a signifying word [ mot signifiant ] , sail , and an ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York