The Spatiality of the Novel |
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Page 17
... past is inferred ... from the spatial arrangement of objects . " 10 The significance of this structure not only for the novelist but also for his reader , who regards the novel as " past " merely because it is recorded , is that it ...
... past is inferred ... from the spatial arrangement of objects . " 10 The significance of this structure not only for the novelist but also for his reader , who regards the novel as " past " merely because it is recorded , is that it ...
Page 39
... past . " The most striking word in each passage is " now , " and it is particularly striking in that it is not the past which forms the present , which would make spatiality considerably less important , but the present which forms the ...
... past . " The most striking word in each passage is " now , " and it is particularly striking in that it is not the past which forms the present , which would make spatiality considerably less important , but the present which forms the ...
Page 67
... past indefinitely ; Proust could call it " éternel imparfait , " trailing its own time behind itself , trying to emerge from its pastness , from its spiral , and never doing so . The past indefinite ( il y a eu ) and the future anterior ...
... past indefinitely ; Proust could call it " éternel imparfait , " trailing its own time behind itself , trying to emerge from its pastness , from its spiral , and never doing so . The past indefinite ( il y a eu ) and the future anterior ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York