The Spatiality of the Novel |
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Page 78
... opening straight upon life .... But they have this mark of their own that at each of them stands a figure . James describes his emblem : the scene before the window is the subject ; the aperture is the literary form ; the watcher is the ...
... opening straight upon life .... But they have this mark of their own that at each of them stands a figure . James describes his emblem : the scene before the window is the subject ; the aperture is the literary form ; the watcher is the ...
Page 123
... opening , " There was no possibility of taking a walk that day , " is abrupt , totally individual , an impression ... openings of Pride and Prejudice and Emma contrast with the extended background analysis of the first para- graphs of ...
... opening , " There was no possibility of taking a walk that day , " is abrupt , totally individual , an impression ... openings of Pride and Prejudice and Emma contrast with the extended background analysis of the first para- graphs of ...
Page 142
... opening para- graphs from " Proteus , " however , indicate that the spatial and the tem- poral art forms , the nebeneinander and the nacheinander , are dynamically experienced by the Stephen of Stephen Hero and A Portrait . The concept ...
... opening para- graphs from " Proteus , " however , indicate that the spatial and the tem- poral art forms , the nebeneinander and the nacheinander , are dynamically experienced by the Stephen of Stephen Hero and A Portrait . The concept ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York