The Spatiality of the Novel |
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Page 17
... language and its use to express temporal relations . C. D. Broad emphasized that an event and its utterance , expressed by is , could mean only that the event was simultaneous with the utterance ; the copula is immediately becomes ...
... language and its use to express temporal relations . C. D. Broad emphasized that an event and its utterance , expressed by is , could mean only that the event was simultaneous with the utterance ; the copula is immediately becomes ...
Page 30
... language spaces itself [ s'es- pace ] so that space , in itself , becomes language , speaks it and writes it . " Tzvetan Todorov , in his “ Poétique " from What is Structuralism ?, has isolated four types of spatiality of language ...
... language spaces itself [ s'es- pace ] so that space , in itself , becomes language , speaks it and writes it . " Tzvetan Todorov , in his “ Poétique " from What is Structuralism ?, has isolated four types of spatiality of language ...
Page 167
... language operating here , in the exploitation of the spatial potential of the word , of the novel itself . 35 These " repetitions , " whose effect is nevertheless " simultaneous , " represent an exploration of the spatiality of ...
... language operating here , in the exploitation of the spatial potential of the word , of the novel itself . 35 These " repetitions , " whose effect is nevertheless " simultaneous , " represent an exploration of the spatiality of ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York