The Spatiality of the Novel |
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Page 117
... indicates that the second part of the novel has no exact system of correspondence with the other two parts , and that the sections that do correspond are not composed of equal numbers of chapters . 65 A fine organization should not ...
... indicates that the second part of the novel has no exact system of correspondence with the other two parts , and that the sections that do correspond are not composed of equal numbers of chapters . 65 A fine organization should not ...
Page 119
... indicated by chapters 1 , 7 , and 13. Chapter 1 opens with a small boy tracing letters on a tombstone ; chapter 7 ... indicates hap- pier moments in Pip's London experiences , while in part III , 45-51-57 all comprise paternal figures ...
... indicated by chapters 1 , 7 , and 13. Chapter 1 opens with a small boy tracing letters on a tombstone ; chapter 7 ... indicates hap- pier moments in Pip's London experiences , while in part III , 45-51-57 all comprise paternal figures ...
Page 170
... indicates the direction of his inquiries . Other essays , such as " The Space of the Novel " and " The Book as Object , " indicate the explorations of secondary illusion that have characterized his work . The Modification is in reality ...
... indicates the direction of his inquiries . Other essays , such as " The Space of the Novel " and " The Book as Object , " indicate the explorations of secondary illusion that have characterized his work . The Modification is in reality ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York