The Spatiality of the Novel |
From inside the book
Results 1-3 of 13
Page 72
... follow : " It would be easy enough , by the aid of the nicks in the stone pillars , to climb over the brick wall with its ... follows the description of Mrs. Poyser's kitchen . Scenes which are static and either free or " almost bound ...
... follow : " It would be easy enough , by the aid of the nicks in the stone pillars , to climb over the brick wall with its ... follows the description of Mrs. Poyser's kitchen . Scenes which are static and either free or " almost bound ...
Page 123
... follows each of these utterances in their individual paragraphs , consisting in each case of a single longer ... follow in her first paragraphs . The short single - sentence paragraphs of the openings of Pride and Prejudice and Emma ...
... follows each of these utterances in their individual paragraphs , consisting in each case of a single longer ... follow in her first paragraphs . The short single - sentence paragraphs of the openings of Pride and Prejudice and Emma ...
Page 137
... follows : The world of books and the book of the world constitute only one , and if the hero of the second part of Quixote can be the reader of the first , and if Hamlet be the spectator of Hamlet , it follows that we , their readers or ...
... follows : The world of books and the book of the world constitute only one , and if the hero of the second part of Quixote can be the reader of the first , and if Hamlet be the spectator of Hamlet , it follows that we , their readers or ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York