The Spatiality of the Novel |
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Page 73
... element of the narrative as of the narration . Such enclosures serve the presentation of “ simultaneous ac- tions , " as Shklovsky observed in Dickens . " When an author uses the device of encadrement or enchâssement , the spatial element ...
... element of the narrative as of the narration . Such enclosures serve the presentation of “ simultaneous ac- tions , " as Shklovsky observed in Dickens . " When an author uses the device of encadrement or enchâssement , the spatial element ...
Page 105
... element of Women in Love has not “ given room " to these creations . Lawrence thwarts the longing for beyond by removing time as a constructive element of the chapters in Women in Love , in total contrast to his method in The Rainbow ...
... element of Women in Love has not “ given room " to these creations . Lawrence thwarts the longing for beyond by removing time as a constructive element of the chapters in Women in Love , in total contrast to his method in The Rainbow ...
Page 113
... element is qualified by the place which it occupies in a total picture and by the vertical and horizontal relations ... element of the work is its potential to enter in correlation with other elements of this work and with the entire ...
... element is qualified by the place which it occupies in a total picture and by the vertical and horizontal relations ... element of the work is its potential to enter in correlation with other elements of this work and with the entire ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York