The Spatiality of the Novel |
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Page 96
... characterization and the extension required for interpretation unless one acknowledges sculptural volume . In Dead Souls , Gogol declares that his connection of characterization to sculpture comes from nature itself , not only from art ...
... characterization and the extension required for interpretation unless one acknowledges sculptural volume . In Dead Souls , Gogol declares that his connection of characterization to sculpture comes from nature itself , not only from art ...
Page 100
... characterization is eminently sculptural in its concern with a figure and its surrounding location . Lawrence's decision to approach characterization in this fashion is the major new dimension of these novels , and he owes much of it to ...
... characterization is eminently sculptural in its concern with a figure and its surrounding location . Lawrence's decision to approach characterization in this fashion is the major new dimension of these novels , and he owes much of it to ...
Page 152
... characterization by sculptural vol- ume . 16 Mann had already employed such a method in Death in Venice ( 1911 ) , making interpenetration in fact the theme of the novella . The Polish boy Tadzio mesmerizes and finally draws into ...
... characterization by sculptural vol- ume . 16 Mann had already employed such a method in Death in Venice ( 1911 ) , making interpenetration in fact the theme of the novella . The Polish boy Tadzio mesmerizes and finally draws into ...
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Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York