The Spatiality of the Novel |
From inside the book
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Page 38
... chapter one with which the novel began , or to the sudden introduction of the present tense after the historical present : " Hetty walked hastily across the short space , " but then " She is at another gate now , " or " She doesn't know ...
... chapter one with which the novel began , or to the sudden introduction of the present tense after the historical present : " Hetty walked hastily across the short space , " but then " She is at another gate now , " or " She doesn't know ...
Page 114
... chapter . In addtion to this rhythm of the chapter , Philip Stevick has noted in " The Theory of Fictional Chapters " how " one responds to the form of a novel by responding to its chapter . " This idea corresponds to that of ...
... chapter . In addtion to this rhythm of the chapter , Philip Stevick has noted in " The Theory of Fictional Chapters " how " one responds to the form of a novel by responding to its chapter . " This idea corresponds to that of ...
Page 146
... chapter one , arrival ; chapter two , past history ; chapter three , first day ; chapter four , first three weeks ; chapter five , through the first seven months ; chapter six , up to two years and four months after arrival ; and chapter ...
... chapter one , arrival ; chapter two , past history ; chapter three , first day ; chapter four , first three weeks ; chapter five , through the first seven months ; chapter six , up to two years and four months after arrival ; and chapter ...
Common terms and phrases
Absalom Adam Bede aesthetic Andrey appears architectural artistic Balzac becomes Boris Eichenbaum central Cervantes chapter character characterization coextensive volume concept critical D. H. Lawrence declares Don Quixote Donatello dynamic field edition Eichenbaum element essay example existence experience Faulkner Fiction Figures Flaubert Frédéric function genidentic George Eliot Gérard Genette Gothic Hardy Hardy's Hawthorne Henry ibid idea important interpenetration interpretation Isabel James Jude the Obscure language literary Literature Magic Mountain Mann Marble Faun method Michel Butor Modification motifs narration narrative nature novel novelist object observes painting parallelism particularly perspective pictorial picture Poetics Portrait Praxiteles preface problem prose protagonist Proust reader reading relation rhythm Ricardou scene sculptural volume Sentimental Education sequence Shklovsky simultaneous space spatial arts spatial form spatial secondary illusion spiral statue Stephen Hero story structure Susanne Langer technique temporal art theory timeless tion Todorov Tolstoy trans Translated University Press Women in Love word writing York